Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

At last, Dradin found the Mission of Cadimon Signal. Set back from the street, the mission remained almost invisible among the skyward-straining cathedrals surrounding it—remarkable only for the emptiness, the silence, and the swirl of swallows skimming through the air like weightless trapeze artists. The building that housed the mission was an old tin-roofed warehouse reinforced with mortar and brick, opened up from the inside with ragged holes for skylights, which made Dradin wonder what they did when it rained. Let it rain on them, he supposed.

Christened with fragmented mosaics that depicted saints, monks, and martyrs, the enormous doorway lay open to him. All around, acolytes frantically lifted sandbags and long pieces of timber, intent on barricading the entrance, but none challenged him as he walked up the steps and through the gateway; no one, in fact, spared him a second glance, so focused were they on their efforts.

Inside, Dradin went from sunlight to shadows, his footfalls hollow in the silence. A maze of paths wound through lush green Occidental-style gardens. The gardens centered around rock-lined pools cut through by the curving fins of corpulent carp. Next to the pools lay the eroded ruins of ancient, pagan temples, which had been reclaimed with gaily colored paper and splashes of red, green, blue, and white paint. Among the temples and gardens and pools, unobtrusive as lampposts, acolytes in gray habits toiled, removing dirt, planting herbs, and watering flowers. The air had a metallic color and flavor to it and Dradin heard the buzzing of bees at the many poppies, the soft scull-skithing as acolytes wielded their scythes against encroaching weeds.

The ragged, bluegrass-fringed trail led Dradin to a raised mound of dirt on which stood a catafalque, decorated with gold leaf and the legend SAINT PHILIP THE PHILANDERER printed along its side. In the shadow of the catafalque, amid the grass, a gardener dressed in dark green robes planted lilies he had set on a nearby bench. Atop the catafalque, halting Dradin in mid-step, stood Signal. He had changed since Dradin had last seen him, for he was bald and gaunt, with white tufts of hair sprouting from his ears. A studded dog collar circled his withered neck. But most disturbing, unless one wished to count a cask of wine that dangled from his left hand—no doubt shipped in by those reliable if questionable purveyors of spirits Hoegbotton & Sons, perhaps even held, caressed, by his love—the man was stark staring naked! The object of no one’s desire bobbed like a length of flaccid purpling sausage, held in some semblance of erectitude by the man’s right hand, the hand currently engaged in an up-and-down motion that brought great pleasure to its owner.

“Ccc-Cadimon Ssss-sigggnal?”

“Yes, who is it now?” said the gardener.

“I beg your pardon.”

“I said,” repeated the gardener with infinite patience, as if he really would not mind saying it a third, a fourth, or a fifth time, “I said ‘Yes, who is it now?’”