Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

I became addicted to anonymous sex, sex without love, sex as an act. I loved the feel of a man’s chest against my breasts, the quickening of his breath while inside me, the utterly sublime slide of skin against skin. Each encounter faded from memory more quickly than the last, so that I only became more ravenous. Before, I had been starving; now, I felt as if I could never be satiated.

In other words, I began, under the steady, orgasmic pressure of fame, to become someone totally different than I had been. Can I blame me? It felt marvelous. It felt so good I thought I would die from ecstasy. I was successful for the first time ever. For the first time ever, it was me, not Duncan, who commanded respect. If our father had been alive, he wouldn’t have ignored me—he couldn’t possibly have ignored me. (He never ignored you, Janice. No one ignored you. You just couldn’t see them looking at you, for some reason.)

And still I consumed and consumed and consumed. I could not stop. Even in the midst of such carnality, a part of me remained distant, as if I were pulling the strings of my own puppet. I used to walk through a crowd of people, most of whom I knew intimately, and feel utterly alone. I had written that letter to Duncan about the golden threads and yet forgotten everything it meant.

Even Sybel had his doubts about my philosophy of life, despite how perfectly it fit in with the New Art ideal. We’d sit on the steps leading into the courtyard at Trillian Square, eating fruit that Sybel had plucked from some trees near the River Moth.

“How do you think everything is going?” Sybel would ask, a typical way for him to start a conversation if concerned about me.

I’d reply, “Great! Wonderful! Spectacular! Did you see that new painting? The one by Sarah Sharp? And it only cost us half of what it should have. If I can sell it, there are twenty more where that one came from. And after that there will be twenty more from somewhere else and then before you know it another gallery and after that, who knows. And that reminds me, did you see the mention in the Broadsheet? You need to make sure the theater owners see that—free advertising for us both. We have to maximize any leverage we get.”

And I couldn’t. Stop. Talking. And Sybel would eat his fruit and sometimes he’d put his hand on my shoulder and he’d feel that I was trembling and that I couldn’t control it, and that touch would become a firmer grip, as if he were steadying me. Righting me.

Despite this, I didn’t stop. I refused to stop—I wanted to eat, drink, and screw the world. Each new party, each new artist, each new day, started the process anew. With what glittering light shall we drape the new morning? Starved for so long, I now became the Princess of Yes. I. Simply. Could. Not. Say. No.