Chapters (42)
- Title Page
- Copyright Notice
- Dedication
- City of Saints and Madmen
- Dradin, in Love
- 1
- The Hoegbotton Guide to the Early History of the City of Ambergris
- 1
- The Cage
- 1
- The Transformation of Martin Lake
- The Strange Case of X
- Shriek: An Afterword
- AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
- PART I
- 1
- 5
- PART II
- 1
- 4
- A (BRIEF) AFTERWORD BY SIRIN
- Finch
- MONDAY
- 1
- TUESDAY
- 1
- WEDNESDAY
- 1
- THURSDAY
- 1
- FRIDAY
- 1
- SATURDAY
- 1
- SUNDAY
- ACKNOWLEDGMENTS
- Illustration credits
- NOTES
- Notes 2
- Also by Jeff Vandermeer
- A Note About the Author
- Newsletter Sign-up
Sybel—luminous, short, sweet Sybel—was one of those people I met during this time. He had a thick rush of dirty blond hair exploding off the top of his head like waves of pale flame, clear blue eyes, a grin that at times appeared to be half grimace, and he wore outrageous clothes in the most impossible shades of purple, red, green, and blue. He rarely sat still for very long. In those early years, he had the metabolism of a hummingbird. A coiled spring. A hummingbird. A marvel.
The first thing Sybel said to me was, “You need me. New Art will soon be dead. The newest art will be whatever Janice Shriek decides it is. But you still need me.” Which made me laugh.
But I did need him. Sybel had explored every crooked mews in Ambergris. A courier for Hoegbotton, he also knew everyone. A member of the Nimblytod Tribes, he had an affinity for tree climbing that no one could match, and a cut-bark scent that clung to him as if it was his birthright. His only pride revolved around his knowledge of the streets, and his well-tended, lightweight boots, which had been given to him by his tribe when he had left for the city. He couldn’t have been more than eighteen years old when I met him for the first time.
“I’m quick and good,” he said, but did not specify good at what. “I’m eyes and ears and feet, but I’m not cheap,” he told me, and then named a large monthly fee.
I suggested a smaller amount, but added, “And you can stay at my apartment whenever you like.” After all, I was rarely there, except to catch up on three or four hours of sleep.
So it was that I acquired a roommate I rarely saw. I know he welcomed the refuge, though: his tumultuous love life meant he was continually getting kicked out of some woman’s bed.
I soon found I had chosen well. From careful observation at Hoegbotton—when he was not out all night cavorting with painters and novelists, sculptors and art critics—Sybel had learned how to run a business, something I never did well. Over time, he became my gallery assistant—on and off, because he had a habit of disappearing for several days at a time. But I was hardly punctual myself, and I loved his energy, so I always forgave him, no matter what his transgressions. I used to imagine that every once in a while, Sybel got the urge to return to his native forests, that he would fling off his clothes and climb into the welter of trees near the River Moth, soon happily singing as he leapt from tree to tree. But I’m sure his absences had more to do with women. (Actually, Sybel’s absences had a myriad of causes, because he led a myriad of lives, some of which he did not tell you about. I cannot remember exactly when I entered into one of those lives, but I do remember many a morning when, having emerged from yet another dank hole in the ground, grimy with dirt and sweat, I would stand exhausted by the banks of the River Moth beside a particular tree chosen in advance, inhabited by a certain member of the Nimblytod Tribe.