Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

Dradin again heard the mushroom dwellers below and closed the window abruptly. He sat back on the bed. He wanted to read more of the book, except that now his thoughts floated, rose and fell like waves and, before he realized it, before he could stop it, he was, as it were, not quite dead, but merely asleep.

In the morning, Dradin rose rested and spry, his body almost certainly recovered from the jungle fever. For months he had risen to the ache of sore muscles and bruised internal organs; now he had only a fever of a different sort. Every time Dradin glanced at The Refraction of Light in a Prison—as he washed his face in the green-tinged basin, as he dressed, not looking at his pant legs so it took him several tries to put them on—he thought of her. What piece of glitter might catch her eye for him? For now, surely, if she had read the book, was the time to appraise her worth to him, to let her know that serious is as serious does. In just such a manner had his dad wooed his mom, Dad a rake-thin but puff-bellied proud graduate of Morrow’s University of Arts & Facts (which certainly defined Dad). She, known by the maiden name of Barsombly, the famous singer with a voice like a pit bull—almost baritone, but husky enough, Dradin admitted, to conceal a sultry sexuality. He could not remember when he had not either felt the thrulling vibrations of his mother’s voice or heard the voice itself. Or a time when he had not watched as she applied raucous perfumes and powders to herself, after putting on the low-bodiced, gold-satin costumes that rounded her taut bulk like an impenetrable wall. He could remember her taking him into theaters and music halls through the back entrance, bepuddled and muddened, and as some helpful squire would escort him sodden to his seat, so too would she be escorted atop the stage, so that as Dradin sat, the curtain rose, simultaneous with the applause from the audience—an ovation like the crashing of waves against rock.

Then she would sing, and he would imagine the thrull of her against him, and marvel at the power of her voice, the depths and hollows of it, the way it matched the flow and melody of the orchestra only to diverge, coursing like a secret and perilous undertow, the vibration growing and growing until there was no longer any music at all, just the voice devouring the music.

Dad did not go to any of her performances and sometimes Dradin thought she sang so loud, so full of rage, that Dad might still hear her faintly, him up late reading in the study of the old house on the hill with the shutters like eyes stitched shut.