Chapters (42)
- Title Page
- Copyright Notice
- Dedication
- City of Saints and Madmen
- Dradin, in Love
- 1
- The Hoegbotton Guide to the Early History of the City of Ambergris
- 1
- The Cage
- 1
- The Transformation of Martin Lake
- The Strange Case of X
- Shriek: An Afterword
- AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
- PART I
- 1
- 5
- PART II
- 1
- 4
- A (BRIEF) AFTERWORD BY SIRIN
- Finch
- MONDAY
- 1
- TUESDAY
- 1
- WEDNESDAY
- 1
- THURSDAY
- 1
- FRIDAY
- 1
- SATURDAY
- 1
- SUNDAY
- ACKNOWLEDGMENTS
- Illustration credits
- NOTES
- Notes 2
- Also by Jeff Vandermeer
- A Note About the Author
- Newsletter Sign-up
Lake smiled, Raffe giving him a quick elbow to the ribs before she turned back to her conversation, and he let the smell of coffee and chocolate work its magic. His leg ached, as it did sometimes when he was under stress, but otherwise, he had no complaints. The weather had remained pleasant, neither too warm nor too cold, and a breeze ruffled the branches of the potted zindel trees with their jade leaves. The trees formed miniature forests around groups of tables, effectively blocking out rival conversations without blocking the street from view. Artists lounged in their iron latticework chairs or slouched over the black-framed round glass tables while imbibing a succession of exotic drinks and coffees. The night lanterns had just been turned on and the glow lent a cozy warmth to their own group, cocooned as they were by the foliage and the soothing murmur of conversations.
The four sitting with Lake he counted as his closest friends: Raffe, Sonter, Kinsky, and Merrimount. The rest had become as interchangeable as the bricks of Hoegbotton & Sons’ many trading outposts, and about as interesting. At the moment, X, Y, and Z claimed the outer tables like petty island tyrants, their faces peering pale and glinty-eyed in at Lake’s group, one ear to the inner conversation while at the same time trying to maintain an uneasy autonomy.
Merrimount, a handsome man with long, dark lashes and wide blue eyes, combined elements of painting and performance art in his work, his life itself a kind of performance art. Merrimount was Lake’s on-again, off-again lover, and Lake shot him a raffish grin to let him know that, surely, they would be on-again soon? Merrimount ignored him. Last time they had seen each other, Lake had made Merri cry. “You want too much,” Merri had said. “No one can give you that much love, not and still be human. Or sane.” Raffe had told Lake to stay away from Merri but, painful as it was to admit, Lake knew Raffe meant he was bad for Merri.
Raffe, who sat next to Merrimount—a buffer between him and Lake—was a tall woman with long black hair and dark, expressive eyebrows that lent a needed intensity to her light green eyes. Raffe and Lake had become friends the day he arrived in Ambergris. She had found him on Albumuth Boulevard, watching the crowds, an overwhelmed, almost defeated, look on his face. Raffe had let him stay with her for the three months it had taken him to find his city legs. She painted huge, swirling, passionate cityscapes in which the people all seemed caught in mid-step of some intricate and unbearably graceful dance. They sold well, and not just to tourists.
Lake said to Raffe, “Do you think it wise to be so … careless?”
“Why, whatever do you mean, Martin?” Raffe had a deep, distinctly feminine voice that he never tired of hearing.