Chapters (42)
- Title Page
- Copyright Notice
- Dedication
- City of Saints and Madmen
- Dradin, in Love
- 1
- The Hoegbotton Guide to the Early History of the City of Ambergris
- 1
- The Cage
- 1
- The Transformation of Martin Lake
- The Strange Case of X
- Shriek: An Afterword
- AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
- PART I
- 1
- 5
- PART II
- 1
- 4
- A (BRIEF) AFTERWORD BY SIRIN
- Finch
- MONDAY
- 1
- TUESDAY
- 1
- WEDNESDAY
- 1
- THURSDAY
- 1
- FRIDAY
- 1
- SATURDAY
- 1
- SUNDAY
- ACKNOWLEDGMENTS
- Illustration credits
- NOTES
- Notes 2
- Also by Jeff Vandermeer
- A Note About the Author
- Newsletter Sign-up
But, as the post office rounded into view—looming and guttering like some monstrous, senile great aunt—none of these objections registered as strongly as the recent change of name to the “Voss Bender Memorial Post Office.” A shockingly rushed development, as the (great, despotic) composer and politician had died only three days before—rumors as to cause ranging from heart attack to poison—his body sequestered secretly, yet to be cremated and the ashes cast into the River Moth per Bender’s request. (Not to mention that a splinter faction of the Greens, in a flurry of pamphlets and broadsheets, had advertised the resurrection of their beloved Bender: he would reappear in the form of the first child born after midnight in one year’s time. Would the child be born with arias bursting forth from his mouth like nightingales, Lake wondered.)
The renaming alone made Lake’s teeth grind together. It seemed, to his absurdly envious eye—he knew how absurd he was, but could not control his feelings—that every third building of any importance had had the composer’s name rudely slapped over old assignations, with no sense of decorum or perspective. Was it not enough that while alive Bender had been a virtual tyrant of the arts, squashing all opera, all theater, that did not fit his outdated melodramatic sensibilities? Was it not enough that he had come to be the de facto ruler of a city that simultaneously abhorred and embraced the cult of personality? Did he now have to usurp the entire city—every last stone of it—forever and always as his mausoleum? Apparently so. Apparently everyone soon would be permanently lost, for every avenue, alley, boulevard, dead end, and cul-de-sac would be renamed “Bender.” “Bender” would be the name given to all newborns; or, for variety’s sake, “Voss.” And a whole generation of Benders or Vosses would trip and tangle their way through a city which from every street corner threw back their name at them like an impersonal insult.
Why—Lake warmed to his own vitriol—if another Manzikert flattened him as he crossed this very street, he would be lucky to have his own name adorn his own gravestone! No doubt, he mused sourly—but with satisfaction—as he tested the post office’s front steps with his cane, his final resting place would display the legend “Voss Bender Memorial Gravestone” with the words “(occupied by Martin Lake)” etched in tiny letters below.
Inside the post office, at the threshold of the great hall, Lake walked through the gloomy light cast by the far windows and presented himself to the attendant, a man with a face like a knife; Lake had never bothered to learn his name.
Lake held out his key. “Number 7768, please.”
The attendant, legs propped against his desk, looked up from the broadsheet he was reading, scowled, and said, “I’m busy.”