Bristlewing waited for a moment, as if there might be something more, but there was nothing more. He walked forward, picked up the cage. As Bristlewing bent over the cage, Hoegbotton thought he saw a patch of green at the base of his assistant’s neck, under his left ear. Was Bristlewing already infected? Was Bristle- wing the threat?

“Another thing. Take the rest of the week off. Once you’ve delivered the cage to Ungdom.” If his assistant was going to dissolve into spores, let him do it elsewhere. Hoegbotton suppressed a giggle of hysteria.

Suspicious, Bristlewing frowned. “And if I want to work?”

“It’s a vacation. A vacation. I’ve never given you one. I’ll pay you for the time.”

“All right,” Bristlewing said. Now the look he gave Hoegbotton was, to Hoegbotton’s eye, very close to a look of pity. “I’ll give the cage to Ungdom and take the week off.”

“That’s what I said.”

“Right. Bye then.”

“Goodbye.”

As Bristlewing negotiated the tiny flotsam-lined pathway, Hoegbotton could not help but notice that his assistant seemed to list to one side, as if the cage had grown unaccountably heavy.

Five minutes after Bristlewing had left, Hoegbotton closed up the shop for the day. It only took seven tries for him to lock the door behind him.

5

When he arrived at the apartment, Hoegbotton told Rebecca he was home early because he had learned of his grandmother’s death. She seemed to interpret his shakes and shudders, the trembling of his voice, the way he needed to touch her, as consistent with his grief. They ate dinner in silence, her hand in his hand.

“Tell me about it,” she said after dinner and he cataloged all the symptoms of fear as if they were the symptoms of loss, of grief. Everywhere he turned, the woman from the mansion confronted him, her gaze now angry, now mournful. Her wounds bled copiously down her dress but she did nothing to stanch the flow.

They went to bed early and Rebecca held him until he found a path toward sleep. But sleep held a kaleidoscope of images to torment him. In his dreams, he walked through Samuel Hoegbotton’s apartment until he reached a long, white hallway he had never seen before. At the opposite end of the hallway, he could see the woman and the boy from the mansion, surrounded by great wealth, antiques fit for a god winking at him in their burnished multitudes. He was walking across a carpet of small, severed hands to reach them. This fact revolted him, but he could not stop walking: the promise of what lay ahead was too great. Even when he began to see his head, his arms, his own legs, crudely soldered to the walls using his own blood, he could not stop his progress toward the end of the hallway. The hands were cold and soft and pleading.