Her voice carried through the hall and bounced back to her. On the far side of the room, the curtains that draped a theater box suddenly gave way and fell with a whoosh to the floor in a cascade of thread, fluff, and dust. She jumped, startled, and then stood, clutching her own hands and watching the myriad motes of dust stir and dance in the thin sunlight. “Just statues,” she insisted aloud. “That’s all.”

She forced herself to turn and walk the aisle that circled the seating to reach the first of the figures.

She had thought that up close they would be less unsettling. They weren’t. Each was exquisitely carved and painted. A juggler clad in blue and green had paused, two balls cupped in one hand and three in another, his head cocked quizzically, his copper-green eyes squinting in the beginning of a smile. Two steps beyond him, a tumbler had halted, one hand held out to his partner, chin tucked in to his chest as he stared curiously out at the empty seats. His partner was dressed in yellow-and-white stripes to match his motley, and her hair was an untidy tumble of black curls. Her lips were curved in a mischievous smile. Beyond the couple, a stilt walker had dismounted from his sticks and leaned them against his shoulder to regard the empty hall. He wore a bird-beak mask, and an elegant headdress mimicked a bird’s topknot of feathers.

On and on she walked; no two figures were alike. Here was a slender boy stepping up on an offered knee preparatory to mounting his partner’s shoulders. Here was a man with a flute set to his lips and three small carved black dogs at his feet, all on their hind legs and ready to dance to his tune. The next was a girl with her face and arms painted white, in a gown decorated with gilt to mimic golden thread. Gilded, too, was her crown of feathers and rooster heads, and in her hands a scepter that looked more like a feather duster. Beyond her were twin girls, as lithely muscled as ferrets and clad only in brief bright skirts and a twist of cloth that scarcely covered their breasts. The skin of their arms and bellies and legs was painted with extravagant curlicues of blue and red and gold. Alise paused before them, wondering if the designs had been tattooed on or if they had been painted afresh for each performance. She had no doubt that each carving represented a very real and individual member of an entertainment troupe that had once performed in this very theater.