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Chapters (43)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Contents
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Postscript
  41. Also by Rhys Bowen
  42. About the Author
  43. Copyright

Thus armed with the handkerchief to prevent fingerprints, I now looked around the room. It was a typical man’s room—silver-backed brushes on the dresser, various jars of pomade and even hair dye, showing that he was more than a little vain, but no other adornments. No photographs, no letters; nothing to give a clue as to who lived there, or what kind of person he was—except there were good paintings on the walls. After going through a few rooms I realized that Reynold Bryce had a fine collection of Impressionist art. Worth a pretty penny, I decided. Enough to make his wife decide to kill him off? Had the police checked whether she might be in France herself? Then I decided that she would not have stabbed her husband if she’d come over to kill him. Stabbing is always too risky. Unless you strike at exactly the right spot the victim may well live. The knife could hit against one of the ribs and not penetrate far enough. Or a strong person could wrestle the knife away before one has time to deliver the blow. It takes skill or luck to kill with a knife. Which did Bryce’s murderer have?

I prowled the other rooms, even pulled out drawers in his desk, but I didn’t know what I was looking for. Surely important papers would have been removed? Last of all I located the kitchen, now looking neat but forlorn with its bare scrubbed pine table and pans hanging above the stove. An unpleasant smell of stuffiness and rotting vegetables lingered in the air. It appeared that the housekeeper had only taken the good stuff yesterday. I opened a door that led to a pantry with well-stocked shelves, and beyond it a dark square of hallway leading to a pitifully small room that must have been occupied by the housekeeper. All that remained now was an unmade bed, a thin upright chest, and a wardrobe with the door hanging open to reveal no clothes inside. She had definitely taken all her things yesterday. I wondered whether the police would mind. Then I made my way back through the dining room to the room into which I had entered, Reynold Bryce’s studio. I didn’t want to betray my presence by pulling up any of the blinds so I groped about on the wall until I discovered an electric light switch. Thank heavens he was a modern man and I didn’t need to light the gas.