She was now afraid to yield to passion, and because she could not yield to the larger impulses it became essential also to not yield to the small ones, even if her adversary were in the right. She was living on a plane of war. The bigger resistance to the flow of life became one with the smaller resistance to the will of others, and the smallest issue became equal to the ultimate one. The pleasure of yielding on a level of passion being unknown to her, the pleasure of yielding on other levels became equally impossible. She denied herself all the sources of feminine pleasure: of being invaded, of being conquered. In war, conquest was imperative. No approach from the enemy could be interpreted as anything but a threat. She could not see that the real issue of the war was a defense of her being against the invasion of passion. Her enemy was the lover who might possess her. All her intensity was poured into the small battles; to win in the choice of a restaurant, of a movie, of visitors, in opinions, in analysis of people, to win in all the small rivalries through an evening.
At the same time as this urge to triumph continuously, she felt no appeasement or pleasure from her victories. What she won was not what she really wanted. Deep down, what her nature wanted was to be made to yield.
The more she won (and she won often for no man withstood this guerrilla warfare with any honors—he could not see the great importance that a picture hung to the left rather than to the right might have) the more unhappy and empty she felt.
No great catastrophe threatened her. She was not tragically struck down as others were by the death of a loved one at war. There was no visible enemy, no real tragedy, no hospital, no cemetery, no mortuary, no morgue, no criminal court, no crime, no horror. There was nothing.
She was traversing a street. The automobile did not strike her down. It was not she who was inside of the ambulance being delivered to St. Vincent's Hospital. It was not she whose mother died. It was not she whose brother was killed in the war.
In all the registers of catastrophe her name did not appear. She was not attacked, raped, or mutilated. She was not kidnapped for white slavery.
But as she crossed the street and the wind lifted the dust, just before it touched her face, she felt as if all these horrors had happened to her, she felt the nameless anguish, the shrinking of the heart, the asphyxiation of pain, the horror of torture whose cries no one hears.
Every other sorrow, illness, or pain is understood, pitied, shared with all human beings. Not this one which was mysterious and solitary.
It was ineffectual, inarticulate, unmoving to others as the attempted crying out of the mute.
Everybody understands hunger, illness, poverty, slavery and torture. No one understood that at this moment at which she crossed the street with every privilege granted her, of not being hungry, of not being imprisoned or tortured, all these privileges were a subtler form of torture. They were given to her, the house, the complete family, the food, the loves, like a mirage. Given and denied. They were present to the eyes of others who said: "You are fortunate," and invisible to her. Because the anguish, the mysterious poison, corroded all of them, distorted the relationships, blighted the food, haunted the house, installed war where there was no apparent war, torture where there was no sign of instruments, and enemies where there were no enemies to capture and defeat.