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  1. by
  2. Anaïs Nin

She had two voices, one which fell deep like the voice of a man, and another light and innocent. Two women disputing inside of her.

She aroused a feeling in Lillian which was not human. She felt she was looking at a painting in which there was an infinity of violent blue. A white statue with lascivious Medusa hair. Not a woman but a legend with enormous space around her.

Her eyes were begging for an answer to an enigma. The pupils seemed to want to separate from the whites of the eyes.

Lillian felt no longer any jealousy, but a curiosity as in a dream. She did not feel any danger or fear in the meeting, only an enormous blue space in which a woman stood waiting. This space and grandeur around Helen drew Lillian to her.

Helen was describing a dream she often had of being carried away by a Centaur, and Lillian could see the Centaur holding Helen's head, the head of a woman in a myth. People in myths were larger than human beings.

Helen's dreams took place in an enormous desert where she was lost among the prisons. She was tearing her hands to get free. The columns of these prisons were human beings all bound in bandages. Her own draperies were of sackcloth, the woolen robes of punishment.

And then came her questions to Lillian: "Why am I not free? I ran away from my husband and my two little girls many years ago. I did not know it then, but I didn't want to be a mother, the mother of children. I wanted to be the mother of creations and dreams, the mother of artists, the muse and the mistress. In my marriage I was buried alive. My husband was a man without courage for life. We lived as if he were a cripple, and I a nurse. His presence killed the life in me so completely that I could hardly feel the birth of my children. I became afraid of nature, of being swallowed by the mountains, stifled by the forest, absorbed by the sea. I rebelled so violently against my married life that in one day I destroyed everything and ran away, abandoning my children, my home and my native country. But I never attained the life I had struggled to reach. My escape brought me no liberation. Every night I dream the same dream of prisons and struggles to escape. It is as if only my body escaped, and not my feelings. My feelings were left over there like roots dangling when you tear a plant too violently. Violence means nothing. And it does not free one. Part of my being remained with my children, imprisoned in the past. Now I have to liberate myself wholly, body and soul, and I don't know how. The violent gestures I make only tighten the knot of resistance around me. How can one liquidate the past? Guilt and regrets can't be shed like an old coat."