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  1. by
  2. Anaïs Nin

Jay. The table at which he sat was stained with wine. His blue eyes were inscrutable like those of a Chinese sage. He ended all his phrases in a kind of hum, as if he put his foot on the pedal of his voice and created an echo. In this way none of his phrases ended abruptly.

Sitting at the bar he immediately created a climate, a tropical day. In spite of the tension in her, Lillian felt it. Sitting at a bar with his voice rolling over, he dissolved and liquefied the hard click of silver on plates, the icy dissonances of glasses, the brittle sound of money thrown on the counter.

He was tall but he carried his tallness slackly and easily, as easily as his coat and hat, as if all of it could be discarded and sloughed off at any moment when he needed lightness or nimbleness. His body large, shaggy, as if never definitely chiseled, never quite ultimately finished, was as casually his as his passing moods and varying fancies and fortunes.

He opened his soft animal mouth a little, as if in expectancy of a drink. But instead, he said (as if he had absorbed Lillian's face and voice in place of the drink), "I'm happy. I'm too happy." Then he began to laugh, to laugh, to laugh, with his head shaking like a bear, shaking from right to left as if it were too heavy a head. "I can't help it. I can't help laughing. I'm too happy. Last night I spent the night here. It was Christmas and I didn't have the money for a hotel room. And the night before I slept at a movie house. They overlooked me, didn't sweep where I lay. In the morning I played the movie piano. In walked the furious manager, then he listened, then he gave me a contract starting this evening. Christ, Lillian, I never thought Christmas would bring me anything, yet it brought you."

How gently he had walked into her life, how quietly he seemed to be living, while all the time he was drawing bitter caricatures on the bar table, on the backs of envelopes. Drawing bums, drunks, derelicts.

"So you're a pianist...that's what I should have been. I'm not bad, but I would never work hard enough. I wanted also to be a painter. I might have been a writer too, if I had worked enough. I did a bit of acting too, at one time. As it is, I guess I'm the last man on earth. Why did you single me out?"

This man who would not be distinguished in a crowd, who could pass through it like an ordinary man, so quiet, so absorbed, with his hat on one side, his steps dragging a little, like a lazy devil enjoying everything, why did she see him hungry, thirsty, abandoned?

Behind this Jay, with his southern roguishness, perpetually calling for drinks, why did she see a lost man?