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  1. by
  2. Anaïs Nin

"You know, Lillian, someday I will sit down and write a little dictionary for you, a little Chinese dictionary. In it I will put down all the interpretations of what is said to you, the right interpretation, that is: the one that is not meant to injure, not meant to humiliate or accuse or doubt. And whenever something is said to you, you will look in my little dictionary to make sure, before you get desperate, that you have understood what is said to you."

The idea of the little Chinese dictionary made Lillian laugh. The storm passed.

But if they walked the streets together her obsession was to see who was looking at them or following them. In the shops she was obsessed about her plumpness and considered it not an attribute but a defect. In the movies it was emotionalism and tears. If they sat in a restaurant by a large window and saw the people passing it was denigration and dissection. The universe hinged and turned on her defeated self.

She was aggressive with people who waited on her, and then was hurt by their defensive abandon of her. When they did not wait on her she was personally injured, but could not see the injury she had inflicted by her demanding ways. Her commands bristled everyone's hair, raised obstacles and retaliations. As soon as she appeared she brought dissonance.

But she blamed the others, the world.

She could not bear to see lovers together, absorbed in each other.

She harassed the quiet men and lured them to an argument and she hated the aggressive men who held their own against her.

Her shame. She could not carry off gallantly a run in her stocking. She was overwhelmed by a lost button.

When Djuna was too swamped by other occupations or other people to pay attention to her, Lillian became ill. But she would not be ill at home surrounded by her family. She was ill alone, in a hotel room, so that Djuna ran in and out with medicines, with chicken soup, stayed with her day and night chained to her antics, and then Lillian clapped her hands and confessed: "I'm so happy! Now I've got you all to myself!"

The summer nights were passing outside like gay whores, with tinkles of cheap jewelry, opened and emollient like a vast bed. The summer nights were passing but not Lillian's tension with the world.

She read erotic memoirs avidly, she was obsessed with the lives and loves of others. But she herself could not yield, she was ashamed, she throttled her own nature, and all this desire, lust, became twisted inside of her and churned a poison of envy and jealousy. Whenever sensuality showed its flower head, Lillian would have liked to decapitate it, so it would cease troubling and haunting her.

At the same time she wanted to seduce the world, Djuna, everybody. She would want to be kissed on the lips and more warmly and then violently block herself. She thrived on this hysterical undercurrent without culmination. This throbbing sensual obsession and the blocking of it; this rapacious love without polarity, like a blind womb appetite; delighting in making the temperature rise and then clamping down the lid.