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  1. by
  2. Anaïs Nin

"I was born in the most utter poverty. My mother lying in bed with consumption, four brothers and sisters loudly claiming food and care, and I having to be the mother and nurse of them all. We were so hungry that we ate all the samples of food or medicines which were left at the house. I remember once we ate a whole box of chocolate-coated constipation pills. Father was a taxi driver but he spent the greatest part of what he made on drink along the way. As we lived among people who were all living as we were, without sufficient clothing, or heat or food, we knew no contrast and believed this was natural and general. But with me it was different. I suffered from other kinds of pangs. I was prone to the most excessive dreaming, of such intensity and realism that when I awakened I felt I lost an entire universe of legends, myths, figures and cities of such color that they made our room seem a thousand times more bare, the poverty of the table more acute. The disproportion was immense. And I'm not speaking merely of the banquets which were so obviously compensatory! Nor of the obvious way by which I filled my poor wardrobe. It was more than that. I saw in my dreams houses, forests, entire cities, and such a variety of personages that even today I wonder how a child, who had not even seen pictures, could invent such designs in textures, such colonnades, friezes, fabulous animals, statues, colors, as I did. And the activity! My dreams were so full of activity that at times I felt it was the dreams which exhausted me rather than all the washing, ironing, shopping, mending, sweeping, tending, nursing, dusting that I did. I remember I had to break soap boxes to burn in the fireplace. I used to scratch my hands and bruise my toes. Yet when my mother caressed me and said, you look tired, Djuna, I almost felt like confessing to her that what had tired me was my constant dreaming of a ship which insisted on sailing through a city, or my voyage in a chaise through the snow-covered steppes of Russia. And by the way, there was a lot of confusion of places and methods of travel in my dreams, as there must be in the dreams of the blind. Do you know what I think now? I think what tired me was the intensity of the pleasures I had together with the perfect awareness that such pleasure could not last and would be immediately followed by its opposite. Once out of my dreams, the only certitude I retained from these nocturnal expeditions was that pleasure could not possibly last. This conviction was strengthened by the fact that no matter how small a pleasure I wanted to take during the day it was followed by catastrophe. If I relaxed for one instant the watch over my sick mother to eat an orange all by myself in some abandoned lot, she would have a turn for the worse. Or if I spent some time looking at the pictures outside of the movie house one of my brothers or sisters would cut himself or burn his finger or get into a fight with another child. So I felt then that liberty must be paid for heavily. I learned a most severe accounting which was to consider pleasure as the jewel, a kind of stolen jewel for which one must be willing to pay vast sums in suffering and guilt. Even today, Lillian, when something very marvelous happens to me, when I attain love or ecstasy or a perfect moment, I expect it to be followed by pain."