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  1. by
  2. Anaïs Nin

Paul felt his mother removed in some way. He noticed that she and his father had little to say to each other. He was anxious. Adele had nightmares that her mother was dying. Larry was concerned. Perhaps Lillian was not well. She ate little. He sent for the doctor. She objected to him violently. Nanny hovered, guarded, as if she scented danger. But nothing changed. Lillian waited. She always went first to the kitchen when she came home, as if it were the hearth itself, to warm himself. And then to each child's room, and then to Larry.

She could do nothing. Djuna's words illuminated her chaos, but changed nothing. What was it Djuna said: that life tended to crystallize into patterns which became traps and webs. That people tended to see each other in their first "state" or "form" and to adopt a rhythm in consequence. That they had greatest difficulty in seeing the transformations of the loved one, in seeing the becoming. If they did finally perceive the new self, they had the greatest difficulty nevertheless in changing the rhythm. The strong one was condemned to perpetual strength, the weak to perpetual weakness. The one who loved you best condemned you to a static role because he had adapted his being to the past self. If you attempted to change, warned Djuna, you would find a subtle, perverse opposition, and perhaps sabotage! Inwardly and outwardly, a pattern was a form which became a prison. And then we had to smash it. Mutation was difficult. Attempts at evasion were frequent, blind evasions, evasions from dead relationships, false relationships, false roles, and sometimes from the deeper self too, because of the great obstacle one encountered in affirming it. All our emotional history was that of the spider and the fly, with the added tragedy that the fly here collaborated in the weaving of the web. Crimes were frequent. People in desperation turned about and destroyed each other. No one could detect the cause or catch the criminal. There was no visible victim. It always had the appearance of suicide.

Lillian sensed the walls and locks. She did not even know she wanted to escape. She did not even know she was in rebellion. She did it with her body. Her body became ill from the friction, lacerations and daily duels with her beloved jailers. Her body became ill from the poisons of internal rebellion, the monotony of her prison, the greyness of its days, the poverty of the nourishment. She was in a fixed relationship and could not move forward.

Anxiety settled upon the house. Paul clung to his mother longer when they separated for short periods. Adele was less gay.

Larry was more silent.

Nanny began to weep noiselessly. Then she had a visitor. The same one she had sent away ten years earlier. The man was growing old. He wanted a home. He wanted Nanny. Nanny was growing old. He talked to her all evening, in the kitchen. Then one day Nanny cried without control. Lillian questioned her. She wanted to get married. But she hated to leave the family. The family! The sacred, united, complete family. In this big house, with so much work. And no one else to be had. And she wanted Lillian to protest, to cling to her—as the children did before, as Larry had done a few years back, each time the suitor had come again for his answer. But Lillian said quietly, "Nanny, it is time that you thought of yourself. You have lived for others all your life. Get married. I believe you should get married. He loves you. He waited for you such a long time. You deserve a home and life and protection and a rest. Get married."