Back Charlotte Save as PDF
Chapters (49)
  1. Cover
  2. Title Page
  3. Praise for Charlotte
  4. Dedication
  5. 1811
  6. 1818–1819
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. CHAPTER IX
  15. CHAPTER X
  16. CHAPTER XI
  17. CHAPTER XII
  18. 1811
  19. CHAPTER XIV
  20. CHAPTER XV
  21. CHAPTER XVI
  22. 1819
  23. CHAPTER XVIII
  24. CHAPTER XIX
  25. CHAPTER XX
  26. CHAPTER XXI
  27. 1812–1813
  28. CHAPTER XXIII
  29. CHAPTER XXIV
  30. CHAPTER XXV
  31. CHAPTER XXVI
  32. 1819
  33. 1815
  34. 1819
  35. CHAPTER XXX
  36. CHAPTER XXXI
  37. CHAPTER XXXII
  38. CHAPTER XXXIII
  39. CHAPTER XXXIV
  40. CHAPTER XXXV
  41. CHAPTER XXXVI
  42. 1820
  43. CHAPTER XXXVIII
  44. 1839
  45. ABOUT THE AUTHOR
  46. A NOTE ON THE TEXT
  47. READING GROUP QUESTIONS
  48. FURTHER READING
  49. ACKNOWLEDGEMENTS

THE NEXT DAY, LAURA ASKED her mother if they could visit the ‘piano man’ and watch him as he worked. Sarah was occupied with a book of martyrs she had ferreted from the housekeeper’s parlour (and which would no doubt be productive of nightmares), but Laura hung about Charlotte, presenting her request with a combination of sweetness and steeliness her parent knew only too well.

Eventually, after extracting promises that they would visit briefly only if Herr Rosenstein permitted it, Charlotte took her daughter up to the schoolroom, and knocked with diffidence. Upon receiving the instruction to enter, she led Laura in, and presented her daughter’s request – to witness him at work – with many apologies.

‘We understand that we may not disturb you, that your labour takes all your powers of concentration and focus,’ she explained. ‘But Laura would not rest until she could see you at work, I fear.’

Herr Rosenstein smiled at her daughter and explained that their timing was perfect: he was almost finished with the schoolroom piano, and was about to embark on the infinitely more painstaking and time-consuming task of repairing Georgiana Darcy’s harpsichord.

‘But surely you will not want to be disturbed while undertaking such delicate work,’ Charlotte said.

‘Ah, this task involves long periods of waiting,’ Herr Rosenstein replied. ‘I have to glue the wood where it has cracked, in very small sections. Only once it is dry, can I risk first sanding the belly of the instrument with the finest of papers, then sealing with varnish, repainting, and then at last correcting the pitch of the strings. It will take great patience, and company will be much appreciated. I fear, though, that it will be too tedious for you and your daughter.’

Charlotte demurred, as did Laura, who was overcome with excitement at the prospect of exploring new quarters of Pemberley.

The trio repaired from the modest upper reaches of the house to the grander corridors that led to the family’s private apartments. The damaged harpsichord stood in Georgiana’s personal parlour, a sunny room with pale, fresh colours and modern furnishings, the emphasis on lightness and comfort. The vista from the windows stretched up the slope to the hanging woods above the house, the greenery outside echoed in the Chinese wallpaper with its repeating pattern of birds and foliage.