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Chapters (49)
  1. Cover
  2. Title Page
  3. Praise for Charlotte
  4. Dedication
  5. 1811
  6. 1818–1819
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. CHAPTER IX
  15. CHAPTER X
  16. CHAPTER XI
  17. CHAPTER XII
  18. 1811
  19. CHAPTER XIV
  20. CHAPTER XV
  21. CHAPTER XVI
  22. 1819
  23. CHAPTER XVIII
  24. CHAPTER XIX
  25. CHAPTER XX
  26. CHAPTER XXI
  27. 1812–1813
  28. CHAPTER XXIII
  29. CHAPTER XXIV
  30. CHAPTER XXV
  31. CHAPTER XXVI
  32. 1819
  33. 1815
  34. 1819
  35. CHAPTER XXX
  36. CHAPTER XXXI
  37. CHAPTER XXXII
  38. CHAPTER XXXIII
  39. CHAPTER XXXIV
  40. CHAPTER XXXV
  41. CHAPTER XXXVI
  42. 1820
  43. CHAPTER XXXVIII
  44. 1839
  45. ABOUT THE AUTHOR
  46. A NOTE ON THE TEXT
  47. READING GROUP QUESTIONS
  48. FURTHER READING
  49. ACKNOWLEDGEMENTS

He did not cease playing, or make any concession to greeting other than to slide sideways, a wordless invitation to Charlotte to sit. She did so, the narrowness of the bench obliging her to seat herself close enough to him that she could hear the breaths he snatched between notes, feel the emanation of effort coming from his body as he swayed slightly to the music. The muscles of his arms worked under the fine muslin of his shirt, and his fingers, although moving faster than the eye could see, did not blur, but rained down like fine ivory hammers.

Charlotte found that watching his hands obliged her to stare sideways at the man himself, so she closed her eyes once again and immersed herself in the sounds he was drawing from his recorder, in the rose-gold glow of the sun filtering through her eyelids, in the fainter accompaniment of birdsong. And still the notes flowed, busy, swift, almost too much so, their pressing impulsion making Charlotte’s ribs ache slightly, as if she had climbed a hill too fast.

She had no idea how much time had passed before silence fell. And stretched. Several times, she opened her mouth to speak, to launch into courtesies and commonplaces, remark on the beauty of the music or the surroundings, and each time she remained quiet. The birds went on chanting dizzily.

Herr Rosenstein felt no urge to commence conversation either. He took a handkerchief from his pocket, and polished the mouthpiece of the pipe. Charlotte felt a flush rising from her bosom to her neck, and unfurled her shawl. Still they did not speak.

Then he put the recorder back to his lips, and began to play again, and it was the melody from the Mozart sonata he had played for her on the piano in the schoolroom. This time, unadorned, its purity was paramount. Charlotte found herself welling with a sensation so strange, piercing, and unfamiliar, it was not until hours later that she identified it as joy. It was certainly not something she had ever expected or anticipated in her life; since Tom’s death, she had not even courted the notion of happiness, content simply to endure.

And now speech became impossible. Words could supply no sequel to the music, the sun on her face, the gold and green of the fresh garden, the softness of the shawl sliding down her shoulders. In the distance, a plume of water burst into vision between the trees, scattering silver-blue against blue: the lake fountains had been set in motion.