Django McCabe is sixty-seven and, in his jeans with big buckled belts, faded Liberty shirts and trademark neckerchiefs, he looks like he should be an artist, or a jazz musician. In fact, during his lifetime, he’s dabbled in both. Twenty-five years ago, in Montmartre, he combined the two rather successfully and sparked a certain trend for neckerchiefs. But then his sister-in-law ran away with a cowboy from Denver and he had to forsake Parisian prestige for the sake of his bereft brother and three small daughters and an old draughty house in Derbyshire. The two men and the three girls lived harmoniously until their father died of a heart attack when Pip was ten years old.

The house is still draughty but Django’s warmth, and his insistence on multilayered clothing and his obsession with hot thick soup at every meal during the winter months, ensured that the McCabe girls’ childhoods were warm and healthy. They have also developed palates that are robust and tolerant. Soup at every meal throughout the winter months is one thing; that the varieties should include Chicken and Apple, Celery and Baked Beans, and Tuna Chunks with Pea and Stilton, is quite another. Luckily, it is June and there is no call for soup today.

Pip is having a rest in the back bedroom following further exertion on the lawn. Fen is sitting quietly on the window seat in the room whose name changes according to time of day and current season. On winter mornings and evenings, it is the Snug. On spring afternoons it is the Library. On weekday evenings, if the television is on, it is the Family Room. On weekday evenings if the television is off, it’s the Drawing-room. On summer afternoons, it is the Quiet Room. In mornings, it is the Morning Room. When the girls were young and naughty, it was Downstairs. Fen is in the Quiet Room which, after supper, will no doubt be the Drawing-room. Cat is in the kitchen, peeling, scrubbing, grating and chopping and being as diplomatic as possible in dissuading Django from adding Tabasco to the trout, or to the mashed potato, or to the mint and cranberry sauce.

‘It’s best in Bloody Mary,’ Cat informs him. So Django finds vodka but no tomato juice and just mixes the Tabasco in anyway.

‘Cheers!’ he says, knocking his drink back.

‘Cheers!’ Cat responds with a hearty sip only to fight back choking and tears.

‘I think I’d better name this drink, Bloody Hell, Mary,’ Django wheezes, but takes another glug regardless.

Cat nods and wonders if chopped apricots will really add much of consequence – good or bad – to the trout.

They’ll counteract the olives, I suppose.

‘So, Cat, you’ll be a good girl? You’ll be careful in France? I know all about Alain Delon and Roger Vadim.’

‘I don’t,’ Cat laughs.

‘You watch yourself,’ Django cautions, absent-mindedly pointing a knife at her and then apologizing profusely.

‘I’ll be fine,’ Cat assures him, ‘I’m in the press corps. There’ll be 900 journalists. The Tour is a movable town, a veritable community. I’m in it for the ride, for the duration.’