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Contents ( 63)
  1. Cat Among the Pigeons
  2. Contents
  3. Prologue
  4. Summer Term
  5. Chapter 1
  6. Revolution in Ramat
  7. Chapter 2
  8. The Woman on the Balcony
  9. Chapter 3
  10. Introducing Mr Robinson
  11. Chapter 4
  12. Return of a Traveller
  13. Chapter 5
  14. Letters from Meadowbank School
  15. Chapter 6
  16. Early Days
  17. Chapter 7
  18. Straws in the Wind
  19. Chapter 8
  20. Murder
  21. Chapter 9
  22. Cat Among the Pigeons
  23. Chapter 10
  24. Fantastic Story
  25. Chapter 11
  26. Conference
  27. Chapter 12
  28. New Lamps for Old
  29. Chapter 13
  30. Catastrophe
  31. Chapter 14
  32. Miss Chadwick Lies Awake
  33. Chapter 15
  34. Murder Repeats Itself
  35. Chapter 16
  36. The Riddle of the Sports Pavilion
  37. Chapter 17
  38. Aladdin’s Cave
  39. Chapter 18
  40. Consultation
  41. Chapter 19
  42. Consultation Continued
  43. Chapter 20
  44. Conversation
  45. Chapter 21
  46. Gathering Threads
  47. Chapter 22
  48. Incident in Anatolia
  49. Chapter 23
  50. Showdown
  51. Chapter 24
  52. Poirot Explains
  53. Chapter 25
  54. Legacy
  55. E-Book Extras
  56. The Poirots
  57. Charles Osborne on Cat Among the Pigeons
  58. About Agatha Christie
  59. The Agatha Christie Collection
  60. www.agathachristie.com
  61. About the Publisher

Well, from the material point of view, both women had done very well out of it. If they retired now, they would both have a good assured income for the rest of their lives. Miss Bulstrode wondered if Chaddy would want to retire when she herself did? Probably not. Probably, to her, the school was home. She would continue, faithful and reliable, to buttress up Miss Bulstrode’s successor.

Because Miss Bulstrode had made up her mind—a successor there must be. Firstly associated with herself in joint rule and then to rule alone. To know when to go—that was one of the great necessities of life. To go before one’s powers began to fail, one’s sure grip to loosen, before one felt the faint staleness, the unwillingness to envisage continuing effort.

Miss Bulstrode finished marking the essays and noted that the Upjohn child had an original mind. Jennifer Sutcliffe had a complete lack of imagination, but showed an unusually sound grasp of facts. Mary Vyse, of course, was scholarship class—a wonderful retentive memory. But what a dull girl! Dull—that word again. Miss Bulstrode dismissed it from her mind and rang for her secretary.

She began to dictate letters.

Dear Lady Valence. Jane has had some trouble with her ears. I enclose the doctor’s report—etc.

Dear Baron Von Eisenger. We can certainly arrange for Hedwig to go to the Opera on the occasion of Hellstern’s taking the role of Isolda—

An hour passed swiftly. Miss Bulstrode seldom paused for a word. Ann Shapland’s pencil raced over the pad.

A very good secretary, Miss Bulstrode thought to herself. Better than Vera Lorrimer. Tiresome girl, Vera. Throwing up her post so suddenly. A nervous breakdown, she had said. Something to do with a man, Miss Bulstrode thought resignedly. It was usually a man.

‘That’s the lot,’ said Miss Bulstrode, as she dictated the last word. She heaved a sigh of relief.

‘So many dull things to be done,’ she remarked. ‘Writing letters to parents is like feeding dogs. Pop some soothing platitude into every waiting mouth.’

Ann laughed. Miss Bulstrode looked at her appraisingly.

‘What made you take up secretarial work?’

‘I don’t quite know. I had no special bent for anything in particular, and it’s the sort of thing almost everybody drifts into.’

‘You don’t find it monotonous?’

‘I suppose I’ve been lucky. I’ve had a lot of different jobs. I was with Sir Mervyn Todhunter, the archaeologist, for a year, then I was with Sir Andrew Peters in Shell. I was secretary to Monica Lord, the actress, for a while—that really was hectic!’ She smiled in remembrance.

‘There’s a lot of that nowadays amongst you girls,’ said Miss Bulstrode. ‘All this chopping and changing.’ She sounded disapproving.

‘Actually, I can’t do anything for very long. I’ve got an invalid mother. She’s rather—well—difficult from time to time. And then I have to go back home and take charge.’

‘I see.’

‘But all the same, I’m afraid I should chop and change anyway. I haven’t got the gift for continuity. I find chopping and changing far less dull.’