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Chapters (39)
  1. COVER
  2. DEDICATION
  3. CHAPTER I.SICCA VENERIA.
  4. CHAPTER II.CHRISTIANITY IN SICCA.
  5. CHAPTER III.AGELLIUS IN HIS COTTAGE.
  6. CHAPTER IV.JUBA.
  7. CHAPTER V.JUCUNDUS AT SUPPER.
  8. CHAPTER VI.GOTHS AND CHRISTIANS.
  9. CHAPTER VII.PERSECUTION IN THE OFFING.
  10. CHAPTER VIII.THE NEW GENERATION.
  11. CHAPTER IX.JUCUNDUS BAITS HIS TRAP.
  12. CHAPTER X.THE DIVINE CALLISTA.
  13. CHAPTER XI.CALLISTA’S PREACHING, AND WHAT CAME OF IT.
  14. CHAPTER XII.A DEATH.
  15. CHAPTER XIII.AND RESURRECTION.
  16. CHAPTER XIV.A SMALL CLOUD.
  17. CHAPTER XV.A VISITATION.
  18. CHAPTER XVI.WORSE AND WORSE.
  19. CHAPTER XVII.CHRISTIANOS AD LEONES.
  20. CHAPTER XVIII.AGELLIUS FLITS.
  21. CHAPTER XIX.A PASSAGE OF ARMS.
  22. CHAPTER XX.HE SHALL NOT LOSE HIS REWARD.
  23. CHAPTER XXI.STARTLING RUMOURS.
  24. CHAPTER XXII.JUCUNDUS PROPOUNDS HIS VIEW OF THE SITUATION.
  25. CHAPTER XXIII.GURTA.
  26. CHAPTER XXIV.A MOTHER’S BLESSING.
  27. CHAPTER XXV.CALLISTA IN DURANCE.
  28. CHAPTER XXVI.WHAT CAN IT ALL MEAN?
  29. CHAPTER XXVII.AM I A CHRISTIAN?
  30. CHAPTER XXVIII.A SICK CALL.
  31. CHAPTER XXIX.CONVERSION.
  32. CHAPTER XXX.TORRES VEDRAS.
  33. CHAPTER XXXI.THE BAPTISM.
  34. CHAPTER XXXII.THE IMPERIAL RESCRIPT.
  35. CHAPTER XXXIII.A GOOD CONFESSION.
  36. CHAPTER XXXIV.THE MARTYRDOM.
  37. CHAPTER XXXV.THE CORPO SANTO.
  38. CHAPTER XXXVI.LUX PERPETUA SANCTIS TUIS, DOMINE.
  39. FOOTNOTES

The house of Jucundus was closed for the night when Juba reached it, or you would see, were you his companion, that it was one of the most showy shops in Sicca. It was the image-store of the place, and set out for sale, not articles of statuary alone, but of metal, of mosaic work, and of jewellery, as far as they were dedicated to the service of paganism. It was bright with the many colours adopted in the embellishment of images, and the many lights which silver and gold, brass and ivory, alabaster, gypsum, talc, and glass reflected. Shelves and cabinets were laden with wares; both the precious material, and the elaborated trinket. All tastes were suited, the popular and the refined, the fashion of the day and the love of the antique, the classical and the barbarian devotion. There you might see the rude symbols of invisible powers, which, originating in deficiency of art, had been perpetuated by reverence for the past: the mysterious cube of marble sacred among the Arabs, the pillar which was the emblem of Mercury or Bacchus, the broad-based cone of Heliogabalus, the pyramid of Paphos, and the tile or brick of Juno.

There, too, were the unmeaning blocks of stone with human heads, which were to be dressed out in rich robes, and to simulate the human form. There were other articles besides, as portable as these were unmanageable: little Junos, Mercuries, Dianas, and Fortunas, for the bosom or the girdle. Household gods were there, and the objects of personal devotion: Minerva or Vesta, with handsome niches or shrines in which they might reside. There, too, were the brass crowns, or nimbi which were intended to protect the heads of the gods from bats and birds. There you might buy, were you a heathen, rings with heads on them of Jupiter, Mars, the Sun, Serapis, and above all Astarte. You would find there the rings and signets of the Basilidians; amulets too of wood or ivory: figures of demons, preternaturally ugly; little skeletons, and other superstitious devices. It would be hard, indeed, if you could not be pleased, whatever your religious denomination—unless indeed you were determined to reject all the appliances and objects of idolatry indiscriminately—and in that case you would rejoice that it was night when you arrived there, and, in particular, that darkness swallowed up other appliances and objects of pagan worship, which to darkness were due by a particular title, and by darkness were best shrouded, till the coming of that day when all things, good and evil, shall be made light.