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Chapters (39)
  1. COVER
  2. DEDICATION
  3. CHAPTER I.SICCA VENERIA.
  4. CHAPTER II.CHRISTIANITY IN SICCA.
  5. CHAPTER III.AGELLIUS IN HIS COTTAGE.
  6. CHAPTER IV.JUBA.
  7. CHAPTER V.JUCUNDUS AT SUPPER.
  8. CHAPTER VI.GOTHS AND CHRISTIANS.
  9. CHAPTER VII.PERSECUTION IN THE OFFING.
  10. CHAPTER VIII.THE NEW GENERATION.
  11. CHAPTER IX.JUCUNDUS BAITS HIS TRAP.
  12. CHAPTER X.THE DIVINE CALLISTA.
  13. CHAPTER XI.CALLISTA’S PREACHING, AND WHAT CAME OF IT.
  14. CHAPTER XII.A DEATH.
  15. CHAPTER XIII.AND RESURRECTION.
  16. CHAPTER XIV.A SMALL CLOUD.
  17. CHAPTER XV.A VISITATION.
  18. CHAPTER XVI.WORSE AND WORSE.
  19. CHAPTER XVII.CHRISTIANOS AD LEONES.
  20. CHAPTER XVIII.AGELLIUS FLITS.
  21. CHAPTER XIX.A PASSAGE OF ARMS.
  22. CHAPTER XX.HE SHALL NOT LOSE HIS REWARD.
  23. CHAPTER XXI.STARTLING RUMOURS.
  24. CHAPTER XXII.JUCUNDUS PROPOUNDS HIS VIEW OF THE SITUATION.
  25. CHAPTER XXIII.GURTA.
  26. CHAPTER XXIV.A MOTHER’S BLESSING.
  27. CHAPTER XXV.CALLISTA IN DURANCE.
  28. CHAPTER XXVI.WHAT CAN IT ALL MEAN?
  29. CHAPTER XXVII.AM I A CHRISTIAN?
  30. CHAPTER XXVIII.A SICK CALL.
  31. CHAPTER XXIX.CONVERSION.
  32. CHAPTER XXX.TORRES VEDRAS.
  33. CHAPTER XXXI.THE BAPTISM.
  34. CHAPTER XXXII.THE IMPERIAL RESCRIPT.
  35. CHAPTER XXXIII.A GOOD CONFESSION.
  36. CHAPTER XXXIV.THE MARTYRDOM.
  37. CHAPTER XXXV.THE CORPO SANTO.
  38. CHAPTER XXXVI.LUX PERPETUA SANCTIS TUIS, DOMINE.
  39. FOOTNOTES

She was carried to court, and the examination followed. We have already given a specimen of such a process; here it will be sufficient to make use of two documents, different in kind, as far as they go, which have come down to us. The first is an alto-relief, which once was coloured, not first-rate in art or execution, and of the date of the Emperor Constantius, about a century later. It was lately discovered in the course of excavations made at El Kaf, the modern Sicca, on the ruins of a church or Roman basilica, for the building in question seems to have served each purpose successively. In this sculpture the prætorium is represented, and the tribunal of the president in it. The tribunal is a high throne, with wings curving round on each side, making the whole construction extend to almost a semicircle, and it is ascended by steps between the wings. The curule chair is at the top of the steps; and in the middle and above it are purple curtains, reaching down to the platform, drawn back on each side, and when drawn close together running behind the chair, and constituting what was called the secretarium. On one side of the tribunal is a table covered with carpeting, and looking something like a modern ottoman, only higher, and not level at top; and it has upon it the Book of Mandates, the sign of jurisdiction. The sword too is represented in the sculpture, to show a criminal case is proceeding. The procurator is seated on the chair; he is in purple, and has a gold chain of triple thread. We can also distinguish his lawyers, whether assessors or consiliarii; also his lictors and soldiers. There, too, are the notaries in a line below him; they are writing down the judge’s questions and the prisoner’s answers: and one of them is turning round to her, as if to make her speak more loudly. She herself is mounted upon a sort of platform, called catasta, like that on which slaves were put up for sale. Two soldiers are by her, who appear to have been dragging her forwards. The executioners are also delineated, naked to the waist, with instruments of torture in their hands.

The second document is a fragment of the Acta Proconsularia of her Passion. If, indeed, it could be trusted to the letter, as containing Callista’s answers word for word, it would have a distinctly sacred character, in consequence of our Lord’s words, “It shall be given you in that hour what to speak.” However, we attach no such special value to this document, since it comes to us through heathen notaries, who may not have been accurate reporters; not to say that before we did so we ought to look very carefully into its genuineness. As it is, we believe it to be as true as any part of our narrative, and not truer. It runs as follows:—