She says, I don’t think it suits any complexion, myself. And Anne should stick to black.

On this happy occasion, Henry wants to show off the princess. You would think such a small child – she is now almost two and a half – would be looking about her for her nurse, but Elizabeth chuckles as she is passed hand-to-hand by the gentlemen, scuffing up their beards and batting at their hats. Her father bounces her in his arms. ‘She looks forward to seeing her little brother, don’t you, dumpling?’

There is a stir from the courtiers; all Europe knows Anne’s condition, but it is the first time it has been mentioned in public. ‘And I share her impatience,’ the king says. ‘It’s been long enough to wait.’

Elizabeth’s face is losing its baby roundness. Hail Princess Ferret Face. The older courtiers say they can see the king’s father in her, and his brother, Prince Arthur. She has her mother’s eyes though, busy and full in their orbits. He thinks Anne’s eyes beautiful, though best when they gleam with interest, as a cat’s do when she sees the whisk of some small creature’s tail.

The king seizes back his darling and coos to her. ‘Up to the sky!’ he says, and tosses her up, then swoops her down and plants a kiss on her head.

Lady Rochford says, ‘Henry has a tender heart, does he not? Of course, he is pleased with any child. I have seen him kiss a stranger’s baby in much the same way.’

At the first sign of fractiousness the child is taken away, wrapped tight in furs. Anne’s eyes follow her. Henry says, as if remembering his manners, ‘We must accept that the country will mourn for the dowager.’

Anne says, ‘They didn’t know her. How can they mourn? What was she to them? A foreigner.’

‘I suppose it is proper,’ the king says, reluctant. ‘As she was once given the title of queen.’

‘Mistakenly,’ Anne says. She is relentless.

The musicians strike up. The king tows Mary Shelton into the dance. Mary is laughing. She has been missing this last half hour, and now she’s pink-cheeked, her eyes brilliant; no mistaking what she’s been doing. He thinks, if old Bishop Fisher could see this kick-up, he would think the Antichrist has arrived. He is surprised to find himself, even for a moment, viewing the world through Bishop Fisher’s eyes.

On London Bridge after his execution, Fisher’s head remained in such a state of preservation that the Londoners began to talk of a miracle. Eventually he had the bridge keeper pull it down and drop it in a weighted sack into the Thames.

At Kimbolton, Katherine’s body has been turned over to the embalmers. He imagines a rustle in the dark, a sigh, as the nation arranges itself to pray. ‘She sent me a letter,’ Henry says. He slides it from among the folds of his yellow jacket. ‘I don’t want it. Here, Cromwell, take it away.’