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Contents ( 21)
  1. Contents
  2. Cast of Characters
  3. Part One
  4. I
  5. Falcons
  6. II
  7. Crows
  8. III
  9. Angels
  10. Part Two
  11. I
  12. The Black Book
  13. II
  14. Master of Phantoms
  15. III
  16. Spoils
  17. Author’s Note
  18. Acknowledgements
  19. About the Author
  20. Also by Hilary Mantel
  21. MORE FROM BOOKER PRIZE-WINNING AUTHOR HILARY MANTEL

‘If we had let her reign longer, we would have deserved it.’

At Lambeth, the two proctors for the queen had been present: as the king’s substitutes, Dr Bedyll and Dr Tregonwell, and Richard Sampson as his counsel. And himself, Thomas Cromwell: and the Lord Chancellor, and other councillors, including the Duke of Suffolk, whose own marital affairs have been so entangled that he has learned a certain amount of canon law, swallowing it like a child taking medicine; today Brandon had sat making faces and shifting in his chair, while the priests and lawyers sifted the circumstances. They had talked over Harry Percy, and agreed he was no use to them. ‘I cannot think why you did not get his cooperation, Cromwell,’ the duke says. Reluctantly they had talked over Mary Boleyn, and agreed she would have to furnish the impediment; though the king was as culpable as anyone, for he knew, surely, he could not be contracted to Anne if he had slept with her sister? I suppose the point was not entirely obvious, Cranmer says gently. There was affinity, that is clear, but he had a dispensation from the Pope, which he thought held good at the time. He did not know that, in so grave a matter, the Pope cannot dispense; that point was settled later.

It is all most unsatisfactory. The duke says suddenly, ‘Well, you all know she is a witch. And if she witched him into marriage…’

‘I don’t think the king means that,’ he says: he, Cromwell.

‘Oh, he does,’ says the duke. ‘I thought that was what we had come here to discuss. If she witched him into marriage it was null, is my understanding.’ The duke sits back, his arms folded.

The proctors look at each other. Sampson looks at Cranmer. No one looks at the duke. Eventually Cranmer says, ‘We don’t have to make it public. We can issue the decree but keep the grounds secret.’

A release of breath. He says, ‘I suppose it is some consolation, that we need not be laughed at in public.’

The Lord Chancellor says, ‘The truth is so rare and precious that sometimes it must be kept under lock and key.’

The Duke of Suffolk speeds to his barge, crying out that at last he is free of the Boleyns.

The end of the king’s first marriage was protracted, public and discussed throughout Europe, not only in the councils of princes but in the market square. The end of his second, if decency prevailed, would be swift, private, unspoken and obscure. Yet it is necessary to have it witnessed by the city and by men of rank. The Tower is a town. It is an armoury, a palace, a mint. Workmen of all sorts, officials come and go. But it can be policed, and foreigners evacuated. He sets Kingston to do this. Anne, he is sorry to learn, has mistaken the day of her death, rising at 2 a.m. to pray on the morning of 18 May, sending for her almoner and for Cranmer to come to her at dawn so she can purge herself of her sins. No one seems to have told her that Kingston comes without fail at dawn on the morning of an execution, to warn the dying person to be ready. She is not familiar with the protocol, and why would she be? Kingston says, see it from my point of view: five deaths in one day, and to be ready for a queen of England the next? How can she die, when the appropriate officials from the city are not here? The carpenters are still making her scaffold on Tower Green, though thankfully she cannot hear the knocking from the royal lodging.