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He, Cromwell, puts the letter down. That seems to cover everything. She cannot be guilty. But yet she must be guilty. We, her brethren, repudiate her.
He says, ‘Sir, if you want Cranmer, send for him. You could comfort each other, and perhaps between you try to understand all this. I will tell your people to let him in. You look as if you need fresh air. Go down the stair into the privy garden. You will not be disturbed.’
‘But I have not seen Jane,’ Henry says. ‘I want to look at her. We can bring her here?’
‘Not yet, sir. Wait till the business is more forward. There are rumours on the streets, and crowds who want to see her, and ballads made, deriding her.’
‘Ballads?’ Henry is shocked. ‘Find out the authors. They must be straitly punished. No, you are right, we must not bring Jane here until the air is pure. So you go to her, Cromwell. I want you to carry a certain token.’ He produces from among his papers a tiny, jewelled book: the kind a woman keeps at her girdle, looped on a gold chain. ‘It was my wife’s,’ he says. Then he checks himself and looks away in shame. ‘I mean to say, it was Katherine’s.’
He does not want to take the time to go down to Surrey to Carew’s house, but it seems he must. It is a well-proportioned house put up some thirty years ago, its great hall especially splendid and much copied by gentlemen building their own houses. He has been there before, with the cardinal in his time. It looks as though since then Carew has brought Italians in to replan the gardens. The gardeners doff their straw hats to him. The walks are coming into their early summer glory. Birds twitter from an aviary. The grass is shorn as close as velvet pile. Nymphs watch him with stone eyes.
Now that the business is tending one way and one way only, the Seymours have begun teaching Jane how to be a queen. ‘This business you get up to with doors,’ Edward Seymour says. Jane blinks at him. ‘The way you hold the door still and slide yourself around it.’
‘You told me to be discreet.’ Jane lowers her eyes, to show him what discretion means.
‘Now. Go out of the room,’ Edward says. ‘Come back in. Like a queen, Jane.’
Jane sneaks out. The door creaks behind her. In the hiatus, they look at each other. The door swings open. There is a long pause – as it might be, a regal pause. The doorway stands empty. Then Jane appears, inching around the corner. ‘Is that better?’
‘Do you know what I think?’ he says. ‘I think that from now on Jane won’t be opening her own doors, so it doesn’t matter.’
‘My belief is,’ Edward says, ‘this modesty could pall. Look up at me, Jane. I want to see your expression.’
‘But what makes you think,’ Jane murmurs, ‘that I want to see yours?’