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Contents ( 21)
  1. Contents
  2. Cast of Characters
  3. Part One
  4. I
  5. Falcons
  6. II
  7. Crows
  8. III
  9. Angels
  10. Part Two
  11. I
  12. The Black Book
  13. II
  14. Master of Phantoms
  15. III
  16. Spoils
  17. Author’s Note
  18. Acknowledgements
  19. About the Author
  20. Also by Hilary Mantel
  21. MORE FROM BOOKER PRIZE-WINNING AUTHOR HILARY MANTEL

At midnight, after the whole household has retired, a message from the king comes, to say that he has called off this week’s visit to Dover. The jousts, however, will go ahead. Norris is listed, and George Boleyn. They are drawn on opposite teams, one for the challengers, one for the defenders: perhaps they will damage each other.

He does not sleep. His thoughts race. He thinks, I never lay awake a night for love, though poets tells me that is the procedure. Now I lie awake for its opposite. But then, he does not hate Anne, he is indifferent to her. He does not even hate Francis Weston, any more than you hate a biting midge; you just wonder why it was created. He pities Mark, but then, he thinks, we take him for a boy: when I was as old as Mark is now, I had crossed the sea and the frontiers of Europe. I had lain screaming in a ditch and hauled myself out of it, and got myself on the road: not once but twice, once in flight from my father and once from the Spanish on the battlefield. When I was as old as Mark is now, or Francis Weston, I had distinguished myself in the houses of the Portinari, the Frescobaldi, and long before I was the age of George Boleyn I had dealt for them in the exchanges of Europe; I had broken down doors in Antwerp; I had come home to England, a changed man. I had made over my language, and to my exultation, and unexpectedly, I spoke my native tongue with more fluency than when I went away; I commended me to the cardinal, and at the same time, I was marrying a wife, I was proving myself in the law courts, I would go into court and smile at the judges and talk, my expertise laggard to my presentation, and the judges were so happy that I smiled at them and didn’t smack them round the head, that they saw the case my way, often as not. The things you think are the disasters in your life are not the disasters really. Almost anything can be turned around: out of every ditch, a path, if you can only see it.

He thinks of lawsuits he has never thought of in years. Whether the judgement was good. Whether he would have given it against himself.

He wonders if he will ever sleep, and what he will dream. It is only in his dreams that he is private. Thomas More used to say you should build yourself a retreat, a hermitage, within your own house. But that was More: able to slam the door in everyone’s face. In truth you cannot separate them, your public being and your private self. More thought you could, but in the end he had men he called heretics dragged to his house in Chelsea, so he could persecute them conveniently in the bosom of his family. You can insist on separation, if you must: go to your cabinet and say, ‘Leave me alone to read.’ But outside the room, you can hear breathing and scuffling, as a seething discontent builds up, a rumble of expectation: he is a public man, he belongs to us, when will he come forth? You cannot blank it out, the shuffle of the feet of the body politic.