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Contents ( 21)
  1. Contents
  2. Cast of Characters
  3. Part One
  4. I
  5. Falcons
  6. II
  7. Crows
  8. III
  9. Angels
  10. Part Two
  11. I
  12. The Black Book
  13. II
  14. Master of Phantoms
  15. III
  16. Spoils
  17. Author’s Note
  18. Acknowledgements
  19. About the Author
  20. Also by Hilary Mantel
  21. MORE FROM BOOKER PRIZE-WINNING AUTHOR HILARY MANTEL

Over Audley’s shoulder, he sees Edward Seymour, gliding through the crowd. ‘Ah, ambassador,’ he says, with a suave confidence he does not feel. ‘Here is an opportunity for you to meet –’

Edward springs forward, ‘Mon cher ami…’

Black glances from Boleyns. Edward into the breach, armed with confident French. Sweeping Chapuys aside: none too soon. A stir at the door. The king is back, erupting into the midst of the gentlemen.

‘Cromwell!’ Henry stops before him. He is breathing hard. ‘Make him understand. It is not for the Emperor to make conditions to me. It is for the Emperor to apologise, for threatening me with war.’ His face congests. ‘Cromwell, I know just what you have done. You have gone too far in this matter. What have you promised him? Whatever it is, you have no authority. You have put my honour in hazard. But what do I expect, how can a man like you understand the honour of princes? You have said, “Oh, I am sure of Henry, I have the king in my pocket.” Don’t deny it, Cromwell, I can hear you saying it. You mean to train me up, don’t you? Like one of your boys at Austin Friars? Touch my cap when you come down of a morning and say “How do you, sir?” Walk through Whitehall half a pace behind you. Carry your folios, your inkhorn and your seal. And why not a crown, eh, brought behind you in a leather bag?’ Henry is convulsing with rage. ‘I really believe, Cromwell, that you think you are king, and I am the blacksmith’s boy.’

He will never claim, later, that his heart did not turn over. He is not one to boast of a coolness no reasonable man would possess. Henry could, at any moment, gesture to his guards; he could find himself with cold metal at his ribs, and his day done.

But he steps back; he knows his face shows nothing, neither repentance nor regret nor fear. He thinks, you could never be the blacksmith’s boy. Walter would not have had you in his forge. Brawn is not the whole story. In the flames you need a cool head, when sparks are flying to the rafters you must note when they fall on you and knock the fire away with one swat of your hard palm: a man who panics is no use in a shop full of molten metal. And now, his monarch’s sweating face thrust into his, he remembers something his father told him: if you burn your hand, Tom, raise your hands and cross your wrists before you, and hold them so till you get to the water or the salve: I don’t know how it works, but it confuses the pain, and then if you utter a prayer at the same time, you might get off not too bad.

He raises his palms. He crosses his wrists. Back you go, Henry. As if confused by the gesture – as if almost relieved to be stopped – the king ceases ranting: and he backs off a pace, turning his face away and so relieving him, Cromwell, of that bloodshot stare, of the indecent closeness of the popping blue whites of the king’s eyes. He says, softly, ‘God preserve you, Majesty. And now, will you excuse me?’