The Boleyns are laid at his hand to be carved.

Now that Rafe is in the privy chamber, he has closer acquaintance with the musician, Mark Smeaton, who has been promoted among the grooms. When Mark first showed himself at the cardinal’s door, he sloped up in patched boots and a canvas doublet that had belonged to a bigger man. The cardinal put him into worsted, but since he joined the royal household he goes in damask, perched on a fine gelding with a saddle of Spanish leather, the reins clutched in gold-fringed gloves. Where is the money coming from? Anne is recklessly generous, Rafe says. The gossip is that she has given Francis Weston a sum to keep his creditors at bay.

You can understand, Rafe says, that because now the king does not admire the queen so much, she is keen to have young men about her who hang on her words. Her rooms are busy thoroughfares, the privy chamber gentlemen constantly calling in on this errand or that, and lingering to play a game or share a song; where there is no message to carry, they invent one.

Those gentlemen who are less in the queen’s favour are keen to talk to the newcomer and give him all the gossip. And some things he doesn’t need to be told, he can see and hear for himself. Whispering and scuffling behind doors. Covert mockery of the king. Of his clothes, of his music. Hints of his shortcomings in bed. Where would those hints come from, but the queen?

There are some men who talk all the time about their horses. This is a steady mount but I used to have one speedier; that’s a fine filly you have there, but you should see this bay I have my eye on. With Henry, it’s ladies: he finds something to like in almost any female who crosses his path, and will scratch up a compliment for her, though she be plain and old and sour. With the young ones, he is enraptured twice a day: has she not the finest eyes, is not her throat white, her voice sweet, her hand shapely? Generally it’s look and don’t touch: the most he will venture, blushing slightly, ‘Don’t you think she must have pretty little duckies?’

One day Rafe hears Weston’s voice in the next room, running on, amused, in imitation of the king: ‘Has she not the wettest cunt you ever groped?’ Giggles, complicit sniggers. And ‘Hush! Cromwell’s spy is about.’

Harry Norris has been absent from court lately, spending time on his own estates. When he is on duty, Rafe says, he tries to suppress the talk, sometimes seems angry at it; but sometimes he lets himself smile. They talk about the queen and they speculate…

Go on, Rafe, he says.

Rafe doesn’t like telling this. He feels it is below him to be an eavesdropper. He thinks hard before he speaks. ‘The queen needs to conceive another child quickly to please the king, but where is it to come from, they ask. Since Henry cannot be trusted to do the business, which of them is to do him a favour?’