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Contents ( 21)
  1. Contents
  2. Cast of Characters
  3. Part One
  4. I
  5. Falcons
  6. II
  7. Crows
  8. III
  9. Angels
  10. Part Two
  11. I
  12. The Black Book
  13. II
  14. Master of Phantoms
  15. III
  16. Spoils
  17. Author’s Note
  18. Acknowledgements
  19. About the Author
  20. Also by Hilary Mantel
  21. MORE FROM BOOKER PRIZE-WINNING AUTHOR HILARY MANTEL

King Arthur of blessed memory could not have a son. And what happened after Arthur? We don’t know. But we know his glory vanished from the world.

He thinks of Anne’s chosen motto, painted up with her coat of arms: ‘The Most Happy’.

He had said to Jane Rochford, ‘How is my lady the queen?’

Rochford had said, ‘Sitting up, lamenting.’

He had meant, has she lost much blood?

Katherine was not without sin, but now her sins are taken off her. They are all heaped upon Anne: the shadow who flits after her, the woman draped in night. The old queen dwells in the radiance of God’s presence, her dead infants swaddled at her feet, but Anne dwells in this sinful world below, stewed in her childbed sweat, in her soiled sheet. But her hands and feet are cold and her heart is like a stone.

So here’s the Duke of Norfolk, expecting to be fed. Dressed in his best, or at least what’s good enough for Lambeth Palace, he looks like a piece of rope chewed by a dog, or a piece of gristle left on the side of a trencher. Bright fierce eyes under unruly brows. Hair an iron stubble. His person is meagre, sinewy, and he smells of horses and leather and the armourer’s shop, and mysteriously of furnaces or perhaps of cooling ash: dust-dry, pungent. He fears no one alive except Henry Tudor, who could at a whim take his dukedom away, but he fears the dead. They say that at any of his houses at close of day you can hear him slamming the shutters and shooting the bolts, in case the late Cardinal Wolsey is blowing through a window or slithering up a stair. If Wolsey wanted Norfolk he would lie quiet inside a table top, breathing along the grain of the wood; he would ooze through a keyhole, or flop down a chimney with a soft flurry like a soot-stained dove.

When Anne Boleyn came up in the world, and she a niece of his illustrious family, the duke thought his troubles were over. Because he has troubles; the greatest nobleman has his rivals, his ill-wishers, his defamers. But he believed that, with Anne crowned in due time, he would be always at the king’s right hand. It hasn’t worked out like that, and the duke has become disaffected. The match hasn’t brought the Howards the riches and honours he expected. Anne has taken the rewards for herself, and Thomas Cromwell has taken them. The duke thinks Anne should be guided by her male kin, but she won’t be guided; in fact she has made it plain that she sees herself, and not the duke, as the head of the family now. Which is unnatural, in the duke’s view: a woman cannot be head of anything, subordination and submission is her role. Let her be a queen and a rich woman, still she should know her place, or be taught it. Howard sometimes grumbles in public: not about Henry, but about Anne Boleyn. And he has found it expedient to spend his time in his own country, harassing his duchess, who often writes to Thomas Cromwell with complaints of his treatment of her. As if he, Thomas Cromwell, could turn the duke into one of the world’s great lovers, or even into a semblance of a reasonable man.