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So often in council he has taken Katherine’s part, as if he were one of her appointed lawyers. ‘You make this argument, my lords,’ he has said, ‘but the dowager princess will allege…’ And ‘Katherine will refute you, thus.’ Not because he favours her cause but because it saves time; as her opponent, he enters into her concerns, he judges her stratagems, he reaches every point before she does. It has long been a puzzle to Charles Brandon: ‘Whose side is this fellow on?’ he would demand.
But even now Katherine’s cause is not considered settled, in Rome. Once the Vatican lawyers have started a case, they don’t stop just because one of the parties is dead. Possibly, when all of us are dead, from some Vatican oubliette a skeleton secretary will rattle along, to consult his fellow skeletons on a point of canon law. They will chatter their teeth at each other; their absent eyes will turn down in the sockets, to see that their parchments have turned to dust motes in the light. Who took Katherine’s virginity, her first husband or her second? For all eternity we will never know.
He says to Rafe, ‘Who can understand the lives of women?’
‘Or their deaths,’ Rafe says.
He glances up. ‘Not you! You don’t think she was poisoned, do you?’
‘It is rumoured,’ Rafe says gravely, ‘that the poison was introduced to her in some strong Welsh beer. A brew which, it seems, she had taken a delight in, these last few months.’
He catches Rafe’s eye, and snorts with suppressed laughter. The dowager princess, swigging strong Welsh beer. ‘From a leather tankard,’ Rafe says. ‘And think of her slapping it down on the table. And roaring “Fill it up.”’
He hears running feet approaching. What now? A bang at the door, and his little Welsh boy appears, out of breath. ‘Master, you are to go at once to the king. Fitzwilliam’s people have come for you. I think somebody is dead.’
‘What, somebody else?’ he says. He picks up his sheaf of papers, throws them into a chest, turns the key on them and gives it to Rafe. From now on he leaves no secret unattended, no fresh ink exposed to the air. ‘Who have I to raise this time?’
You know what it’s like when a cart overturns in the street? Everybody you meet has witnessed it. They saw a man’s leg sliced clean off. They saw a woman gasp her last. They saw the goods looted, thieves stealing from the back-end while the carter was crushed at the front. They heard a man roar out his last confession, while another whispered his last will and testament. And if all the people who say they were there had really been there, then the dregs of London would have drained to the one spot, the gaols emptied of thieves, the beds empty of whores, and all the lawyers standing on the shoulders of the butchers to get a better look.