Chapters (39)
- Dedication
- Epigraph
- Map
- Part One: Sugar and Skulls
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Part Two: The Voice in the Dark
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Part Three: The Society of the Black Cat
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Part Four: The Emissary of Death
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Part Five: The Bridge of Souls
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Sneak peek at City of Ghosts
- About the Author
- Also by Victoria Schwab
- Copyright
My school’s the same. The only difference is that when I hear a ghost story, I get to find out if it’s real. Most of the time it’s not.
A creaky sound is just a door with bad hinges.
A cold feeling is just a draft.
But as I follow the tap-tap-tap down the theater aisle and up onto the stage, I know there’s something to this particular story.
It’s the one about a boy who died in a play.
Apparently, a long, long time ago, when the school first opened, there was a fire in the second act of A Midsummer Night’s Dream. The set went up in flames, but everyone got out—or so they thought.
Until they found the boy under the trapdoor.
Jacob shivers beside me, and I roll my eyes. For a ghost, he scares so easily.
“Have you ever thought,” he says, “that you don’t scare easily enough?”
But I scare just as easily as anyone. Believe it or not, I don’t want to spend my time searching for ghosts. It’s just that if they’re there, I can’t ignore them. It’s like knowing there’s someone standing right behind you and being told not to turn around. You can feel their breath on your neck, and every second you don’t look, your mind just makes it worse because in the end, what you don’t see is always scarier than what you do.
I climb onto the stage, Jacob at my heels. I can feel him hesitating, his own reluctance dragging me back as I pull up a corner of the heavy red curtain and slip backstage. Jacob follows, passing straight through the curtain.
It’s dark here—so dark it takes a second for my eyes to adjust to the various props and benches scattered across the stage. A thin ribbon of light comes from beneath the curtain. It’s quiet, but there’s an eerie sense of motion. The faint groan of sandbags settling on their hinges. The whisper of air beneath the floorboards. The rustle of what I hope is paper and not rats.
I know that some of the older kids in school dare each other to go back here. To put their ear to the floor and listen for the boy who didn’t make it. I heard them bragging about it once in the hall, how long they’d each lasted. One minute. Two. Five. Some claim they heard the boy’s voice. Others say they smelled smoke, heard the footsteps of fleeing children. But it’s hard to know where the rumors end and the truth picks up.
Nobody dared me to come here. They didn’t have to. When your parents write books about paranormal activity, people assume you’re weird enough to go on your own.
I guess they’re right.