Back Bowl of Cherries
Chapters (45)
  1. Cover Page
  2. BOWL OF CHERRIES
  3. Dedication
  4. ONETHE LAST MILE
  5. TWODIXIELAND
  6. THREETHE INSPECTOR GENERAL
  7. FOURA GIRL IN THE HEART OF MARYLAND
  8. FIVECONSOLATION
  9. SIXFAREWELL TO COLLEGE JOYS
  10. SEVENCHATTERTON
  11. EIGHTTHE MARVELOUS BOY
  12. NINEBAND OF BROTHERS
  13. TENYEARNING JUST FOR YOU
  14. ELEVENTHE CANDY BOX
  15. TWELVETHE PRINCE
  16. THIRTEENFAT CHANCE
  17. FOURTEENTHE SECRET OF THE PYRAMIDS
  18. FIFTEENTHE INCENDIARY
  19. SIXTEENHEAVEN
  20. SEVENTEENKNOCKOUT
  21. EIGHTEENKEEPER OF THE FLAME
  22. NINETEENA DAUGHTER OF THE WILLIWAW
  23. TWENTYGOOD-BYE AGAIN
  24. TWENTY-ONEUNDER THE BRIDGE
  25. TWENTY-TWOINCOMING MAIL
  26. TWENTY-THREESAY NOT THE STRUGGLE NAUGHT AVAILETH
  27. TWENTY-FOURAPPOINTMENT IN COPROLIABAD
  28. TWENTY-FIVETHE SWEETHEART OF SIGMA KI
  29. TWENTY-SIXGIFTS AND ENDEARMENTS
  30. TWENTY-SEVENTHE JEWEL OF IRAQ
  31. TWENTY-EIGHTCUSTOMS OF THE COUNTRY
  32. TWENTY-NINESEE AND TALK TO LIVE NUDE GIRL
  33. THIRTYMUCH IN DEMAND
  34. THIRTY-ONETHE STONE-AGE MONARCH
  35. THIRTY-TWOTHE CAVE AND THE ETHNOGRAPHER
  36. THIRTY-THREEPLOTS AND PLANS
  37. THIRTY-FOURTHE CARRIER OF LIGHT AND POWER
  38. THIRTY-FIVETHE GOOD AMBASSADRESS
  39. THIRTY-SIXTHE SOLDIER
  40. THIRTY-SEVENQUESTIONABLE BEHAVIOR
  41. THIRTY-EIGHTPATH TO GLORY
  42. THIRTY-NINETO THE DARK TOWER
  43. FORTYCONSPIRACY
  44. FORTY-ONETHUNDER AND FLAME
  45. ACKNOWLEDGMENTS

The house sat on the crown of a snowy hill, gleaming in the twilight. A big-shouldered stone fireplace dominated the living room, and next to it stood my mother. She wore the white robes of a vestal, cinctured with the silver and turquoise of the Navajo. From her neck depended a silver chain, and her earrings were like quoits. I had never seen her so gussied up, but the style was matchlessly Mother’s.

She acknowledged my presence, but not directly. “Look at the size of him,” she told Quillet. Raising her kohled eyes heavenward, “Where’s the little boy,” she asked, “who used to melt in my arms?” Finally she focused on me, floating in my direction like one of M. Montgolfier’s gassy balloons. “I feel almost sentimental,” she admitted.

Working on a ranch is like sailing a windjammer around Cape Horn; there’s always something to be done and you’re always uncomfortable doing it.

Stables had to be swamped, the tack room tidied, gear repaired, firewood cut in the forest—a dangerous exercise, for an ax or a chainsaw can bounce off a frozen branch and bite a chunk out of a leg. Lugging the harvest a half mile home through ass-high snow was like wading through a wind tunnel. I fed tons of evil-smelling stew to Lee Roy, who inhaled it faster than I could prepare it. He was big enough to eat hay, the only provender he didn’t relish. His thick tongue polished the bottom of the bucket and like a hockey stick whanged it across the kitchen floor until the last granule was gone. I learned to drive the pickup, tooling over the rutted roads, in and out of ditches, ignoring the piteous whines of protest whenever I shifted gears. I foddered the Morgans and led them to a high meadow potholed under the endless snow. Wherever I went, Lee Roy trailed after me. He seemed delighted with my company, particularly when a pothole got me. I’d go down and he’d pounce, joyously, kicking up a blizzard, blindsiding me, sniffing and slobbering in a cloud of frosty air. I knew that his was a cupboard love, but I yearned for companionship. Once he licked my hand and I was moved by the endearment until I realized it had nothing to do with affection; he was trying to eat the bandage that covered a nasty cut I had picked up rebuilding a lodgepole fence.

I was always numb with the cold and the wet, but there were days of compensation. When the huddle of horses pawed at the earth and shook their splendid manes and the dog raced in wild circles and the sun was a white shadow of itself—then I would feel the wonder of nature’s own cathedral, Quillet’s phrase, and without succumbing to Quillet’s convulsions of piety, yield nonetheless to the beauty of field and forest, mountain and sky.