Back Bowl of Cherries
Chapters (45)
  1. Cover Page
  2. BOWL OF CHERRIES
  3. Dedication
  4. ONETHE LAST MILE
  5. TWODIXIELAND
  6. THREETHE INSPECTOR GENERAL
  7. FOURA GIRL IN THE HEART OF MARYLAND
  8. FIVECONSOLATION
  9. SIXFAREWELL TO COLLEGE JOYS
  10. SEVENCHATTERTON
  11. EIGHTTHE MARVELOUS BOY
  12. NINEBAND OF BROTHERS
  13. TENYEARNING JUST FOR YOU
  14. ELEVENTHE CANDY BOX
  15. TWELVETHE PRINCE
  16. THIRTEENFAT CHANCE
  17. FOURTEENTHE SECRET OF THE PYRAMIDS
  18. FIFTEENTHE INCENDIARY
  19. SIXTEENHEAVEN
  20. SEVENTEENKNOCKOUT
  21. EIGHTEENKEEPER OF THE FLAME
  22. NINETEENA DAUGHTER OF THE WILLIWAW
  23. TWENTYGOOD-BYE AGAIN
  24. TWENTY-ONEUNDER THE BRIDGE
  25. TWENTY-TWOINCOMING MAIL
  26. TWENTY-THREESAY NOT THE STRUGGLE NAUGHT AVAILETH
  27. TWENTY-FOURAPPOINTMENT IN COPROLIABAD
  28. TWENTY-FIVETHE SWEETHEART OF SIGMA KI
  29. TWENTY-SIXGIFTS AND ENDEARMENTS
  30. TWENTY-SEVENTHE JEWEL OF IRAQ
  31. TWENTY-EIGHTCUSTOMS OF THE COUNTRY
  32. TWENTY-NINESEE AND TALK TO LIVE NUDE GIRL
  33. THIRTYMUCH IN DEMAND
  34. THIRTY-ONETHE STONE-AGE MONARCH
  35. THIRTY-TWOTHE CAVE AND THE ETHNOGRAPHER
  36. THIRTY-THREEPLOTS AND PLANS
  37. THIRTY-FOURTHE CARRIER OF LIGHT AND POWER
  38. THIRTY-FIVETHE GOOD AMBASSADRESS
  39. THIRTY-SIXTHE SOLDIER
  40. THIRTY-SEVENQUESTIONABLE BEHAVIOR
  41. THIRTY-EIGHTPATH TO GLORY
  42. THIRTY-NINETO THE DARK TOWER
  43. FORTYCONSPIRACY
  44. FORTY-ONETHUNDER AND FLAME
  45. ACKNOWLEDGMENTS

The morning after my arrival I was the first at that septic breakfast board and the last to leave, for it was there in the company of my colleagues that I sought (beneath a mien of indifference) information regarding Valerie’s whereabouts.

Shortly after the grandfather clock in the downstairs hall groaned, wheezed, and, with extraordinary mechanical effort, struck eight, Chatterton’s brave band of brothers struggled through the French doors of the dining room. They were a loutish crew, with dull eyes, sloped shoulders, and heads hanging like heretics about to be burned at the stake.

All of them were old and most of them were irascible. No one took the customary initiative of introducing himself. They might have been members of some seedy club in which they took no pride; each, however, seemed to view his colleagues as so lacking in respectability or accomplishment as to merit expulsion.

No salutations passed among them as they jockeyed, with the glazed, greedy self-absorption of children, for position around the stove, then lunged across the uneven floor to gain a coveted spot by the clanking radiator.

Once they had eaten and thawed out, they grew expansive, garrulous. I listened closely, eager for some clue as to their calling.

“…the angle fish. Fastest gun in the sea. Strikes in four one-thousandths of a second.”

It was (I learned later) Gorelik speaking. He was short, with pale, hooded eyes which gave him a look of sham inscrutability. A Russian rubashka, the kind Tolstoy wore, but dirtier, encased his slab-chested torso and the hump on his back; altogether he was built like a doorknob. But what had angle fish to do with his assault on the fipple flute?

The man he addressed smiled knowingly. “The sargassum fish will eat its own kind,” Norman Baker said. “That, too, takes a sort of gruesome energy.”

Gorelik drew on a brown cigarette. “And what about the saber-toothed blenny?” he asked, exhaling. He held the butt between the tips of finger and thumb, palm upraised as if to catch raindrops from a leaky roof.

Norman Baker, the authority on sargassa, smiled again, a corpse-smile this time. “And the hummingbird,” he said, “beating its wings seventy times a second?”

So their discourse leaped and glanced from fish to birds and then to deceptively fragile butterflies, particularly the monarchs, whose energetic excesses were exemplified by their migrations between Canada and Mexico, laying their eggs under milkweed along the way.