Back Bowl of Cherries
Chapters (45)
  1. Cover Page
  2. BOWL OF CHERRIES
  3. Dedication
  4. ONETHE LAST MILE
  5. TWODIXIELAND
  6. THREETHE INSPECTOR GENERAL
  7. FOURA GIRL IN THE HEART OF MARYLAND
  8. FIVECONSOLATION
  9. SIXFAREWELL TO COLLEGE JOYS
  10. SEVENCHATTERTON
  11. EIGHTTHE MARVELOUS BOY
  12. NINEBAND OF BROTHERS
  13. TENYEARNING JUST FOR YOU
  14. ELEVENTHE CANDY BOX
  15. TWELVETHE PRINCE
  16. THIRTEENFAT CHANCE
  17. FOURTEENTHE SECRET OF THE PYRAMIDS
  18. FIFTEENTHE INCENDIARY
  19. SIXTEENHEAVEN
  20. SEVENTEENKNOCKOUT
  21. EIGHTEENKEEPER OF THE FLAME
  22. NINETEENA DAUGHTER OF THE WILLIWAW
  23. TWENTYGOOD-BYE AGAIN
  24. TWENTY-ONEUNDER THE BRIDGE
  25. TWENTY-TWOINCOMING MAIL
  26. TWENTY-THREESAY NOT THE STRUGGLE NAUGHT AVAILETH
  27. TWENTY-FOURAPPOINTMENT IN COPROLIABAD
  28. TWENTY-FIVETHE SWEETHEART OF SIGMA KI
  29. TWENTY-SIXGIFTS AND ENDEARMENTS
  30. TWENTY-SEVENTHE JEWEL OF IRAQ
  31. TWENTY-EIGHTCUSTOMS OF THE COUNTRY
  32. TWENTY-NINESEE AND TALK TO LIVE NUDE GIRL
  33. THIRTYMUCH IN DEMAND
  34. THIRTY-ONETHE STONE-AGE MONARCH
  35. THIRTY-TWOTHE CAVE AND THE ETHNOGRAPHER
  36. THIRTY-THREEPLOTS AND PLANS
  37. THIRTY-FOURTHE CARRIER OF LIGHT AND POWER
  38. THIRTY-FIVETHE GOOD AMBASSADRESS
  39. THIRTY-SIXTHE SOLDIER
  40. THIRTY-SEVENQUESTIONABLE BEHAVIOR
  41. THIRTY-EIGHTPATH TO GLORY
  42. THIRTY-NINETO THE DARK TOWER
  43. FORTYCONSPIRACY
  44. FORTY-ONETHUNDER AND FLAME
  45. ACKNOWLEDGMENTS

“I and my brave little band of brothers. We work, we live in harmony, with mutual respect and understanding. We pursue a common, or perhaps I should say,” he smiled a smile that had no gladness in it, and his gleedy eyes narrowed mysteriously, “…an uncommon goal, in this calm and pleasant manse.”

“What?”

“Manse.” He sniffed querulously. “Dwelling, abode, if you prefer.”

“I mean, what do you do?”

“Research, of course.”

“Research on what? What am I supposed to do?”

He squinted at me as if the answer to my forthright question was too obvious to merit a response. Finally: “Why, to play the tuba,” he said. “You do have it handy?”

“Handy enough.” I had left it along with my minimal wardrobe in the checkroom at Union Station. “You’ve got some kind of orchestra around here? A military band?”

“Goodness, no,” he chuckled, deep in his throat. For a moment I thought he was choking. “You play solo,” he said, “observing as you play the response of, well, we’ll start with this.” From his bathrobe pocket he plucked a small stone rectangular block about the size of a domino. “This,” he said, “is your audience. But we can’t expect you to spend ten to twelve hours a day blowing your horn without a break, can we? So,” he added with the sanctimonious air of a vigilant shop steward concerned over the exploitation of the workers in a salt mine, “so I want you to take time out every now and then.”

“To do what?” I asked warily.

“Think.” He tilted his head to one side, lolling his tongue out of the corner of his mouth, winked a watery eye, and tapped a finger against his temple. “I mean, that’s your job, along with the tuba. What you do here is think.”

“About what? Anything in particular?”

“Suicide,” he said, favoring me once more with his murky, fraudulent smile. He rose from his chair and lumbered across the room like a famished wolf. He plucked the solitary tin can from the bookshelf, lifted the lid, and peered inside.

“My own?” What the hell kind of job was this?

It was as if he hadn’t heard me. His face went livid, as if it were lit by an internal torch. The ropey veins in his neck seemed about to burst through the skin. Combusting, he lunged to the door and threw it open. “Gorelik!” he roared, head thrown back, like a statue trumpeting on a pedestal, and the muted strains of the fipple flute were silenced. “You running sore!” Chatterton shouted. “You’ve been at my peanuts again!”