Back Bowl of Cherries
Chapters (45)
  1. Cover Page
  2. BOWL OF CHERRIES
  3. Dedication
  4. ONETHE LAST MILE
  5. TWODIXIELAND
  6. THREETHE INSPECTOR GENERAL
  7. FOURA GIRL IN THE HEART OF MARYLAND
  8. FIVECONSOLATION
  9. SIXFAREWELL TO COLLEGE JOYS
  10. SEVENCHATTERTON
  11. EIGHTTHE MARVELOUS BOY
  12. NINEBAND OF BROTHERS
  13. TENYEARNING JUST FOR YOU
  14. ELEVENTHE CANDY BOX
  15. TWELVETHE PRINCE
  16. THIRTEENFAT CHANCE
  17. FOURTEENTHE SECRET OF THE PYRAMIDS
  18. FIFTEENTHE INCENDIARY
  19. SIXTEENHEAVEN
  20. SEVENTEENKNOCKOUT
  21. EIGHTEENKEEPER OF THE FLAME
  22. NINETEENA DAUGHTER OF THE WILLIWAW
  23. TWENTYGOOD-BYE AGAIN
  24. TWENTY-ONEUNDER THE BRIDGE
  25. TWENTY-TWOINCOMING MAIL
  26. TWENTY-THREESAY NOT THE STRUGGLE NAUGHT AVAILETH
  27. TWENTY-FOURAPPOINTMENT IN COPROLIABAD
  28. TWENTY-FIVETHE SWEETHEART OF SIGMA KI
  29. TWENTY-SIXGIFTS AND ENDEARMENTS
  30. TWENTY-SEVENTHE JEWEL OF IRAQ
  31. TWENTY-EIGHTCUSTOMS OF THE COUNTRY
  32. TWENTY-NINESEE AND TALK TO LIVE NUDE GIRL
  33. THIRTYMUCH IN DEMAND
  34. THIRTY-ONETHE STONE-AGE MONARCH
  35. THIRTY-TWOTHE CAVE AND THE ETHNOGRAPHER
  36. THIRTY-THREEPLOTS AND PLANS
  37. THIRTY-FOURTHE CARRIER OF LIGHT AND POWER
  38. THIRTY-FIVETHE GOOD AMBASSADRESS
  39. THIRTY-SIXTHE SOLDIER
  40. THIRTY-SEVENQUESTIONABLE BEHAVIOR
  41. THIRTY-EIGHTPATH TO GLORY
  42. THIRTY-NINETO THE DARK TOWER
  43. FORTYCONSPIRACY
  44. FORTY-ONETHUNDER AND FLAME
  45. ACKNOWLEDGMENTS

A promiscuity of mysterious and totally unexpected artifacts was partially buried under the books on the floor. I recognized the thick shaft of a Wright and Ditson racquet that might have seen action in the hands of the redoubtable Du Guesclin in the Hundred Years War, and a lamp whose light bulb protruded from the maw of a sneering, stuffed alligator.

A meandering trail led through the thicket from the door to the desk. Armbruster sat behind it, having graciously cleared the only other chair of books for my comfort. He dug into a wavering column of documents, hands burrowing like a pair of underground animals. At the very plinth, under an offensively murky jar of olives, he pulled out my preliminary draft. He stared at it. I stared at him, waiting.

“It’s full of seepage,” he said.

“I beg your pardon?”

“Your dissertation. I find a certain subjectivism seeping into your exegesis,” he explained. “No place for that sort of thing.” He flipped a few pages. “Undeniably you have talent…” The way he stressed the word made it sound dangerous, as if he were diagnosing a rare disease. “…But,” he shrugged his goat shoulders, shaggy in the ill-fitting Shetland jacket, “why do you suppose the seepage so stubbornly persists?”

It was my turn to shrug. “What do you think, sir?”

“Breslau, I’m not one to beat around bushes, so I’ll give it to you with the bark off. I think you should pursue some endeavor where your imagination would be better appreciated and your flair for theatrics and adjectives handicap you less.”

Pursue, he said, but pursue what? All I could think of was Shakespeare’s line, “Exit, pursued by a bear.” All I wanted was to get out of that evil-smelling chamber. But Armbruster was still trying to be helpful.

“Have you ever thought of writing, maybe for television? Or a gossip column for a tabloid? I know a man at the copy desk of the Courant…”

“I don’t think I could write fiction. Or semi-fiction.”

“Thing is…” he tugged at his piles for emphasis, “you’re not pushy enough. I attack your preliminary draft and you don’t even defend it.”

“I was pushy with Dr. Chatterton and…” my voice trailed off. My thoughts at times ran to pushiness, but, outside of Chatterton, I couldn’t think of anyone I’d been pushy with.

“Passivity,” he plunged on loftily, “is never an asset.”