Back Bowl of Cherries
Chapters (45)
  1. Cover Page
  2. BOWL OF CHERRIES
  3. Dedication
  4. ONETHE LAST MILE
  5. TWODIXIELAND
  6. THREETHE INSPECTOR GENERAL
  7. FOURA GIRL IN THE HEART OF MARYLAND
  8. FIVECONSOLATION
  9. SIXFAREWELL TO COLLEGE JOYS
  10. SEVENCHATTERTON
  11. EIGHTTHE MARVELOUS BOY
  12. NINEBAND OF BROTHERS
  13. TENYEARNING JUST FOR YOU
  14. ELEVENTHE CANDY BOX
  15. TWELVETHE PRINCE
  16. THIRTEENFAT CHANCE
  17. FOURTEENTHE SECRET OF THE PYRAMIDS
  18. FIFTEENTHE INCENDIARY
  19. SIXTEENHEAVEN
  20. SEVENTEENKNOCKOUT
  21. EIGHTEENKEEPER OF THE FLAME
  22. NINETEENA DAUGHTER OF THE WILLIWAW
  23. TWENTYGOOD-BYE AGAIN
  24. TWENTY-ONEUNDER THE BRIDGE
  25. TWENTY-TWOINCOMING MAIL
  26. TWENTY-THREESAY NOT THE STRUGGLE NAUGHT AVAILETH
  27. TWENTY-FOURAPPOINTMENT IN COPROLIABAD
  28. TWENTY-FIVETHE SWEETHEART OF SIGMA KI
  29. TWENTY-SIXGIFTS AND ENDEARMENTS
  30. TWENTY-SEVENTHE JEWEL OF IRAQ
  31. TWENTY-EIGHTCUSTOMS OF THE COUNTRY
  32. TWENTY-NINESEE AND TALK TO LIVE NUDE GIRL
  33. THIRTYMUCH IN DEMAND
  34. THIRTY-ONETHE STONE-AGE MONARCH
  35. THIRTY-TWOTHE CAVE AND THE ETHNOGRAPHER
  36. THIRTY-THREEPLOTS AND PLANS
  37. THIRTY-FOURTHE CARRIER OF LIGHT AND POWER
  38. THIRTY-FIVETHE GOOD AMBASSADRESS
  39. THIRTY-SIXTHE SOLDIER
  40. THIRTY-SEVENQUESTIONABLE BEHAVIOR
  41. THIRTY-EIGHTPATH TO GLORY
  42. THIRTY-NINETO THE DARK TOWER
  43. FORTYCONSPIRACY
  44. FORTY-ONETHUNDER AND FLAME
  45. ACKNOWLEDGMENTS

“Don’t move!” I tell him, and, astonishingly, he doesn’t. I feel a surge of power and with it a ridiculous sense of embarrassment, talking like that, acting out this ancient and improbable ritual borrowed from so many fictions. “Drop your gun!” I say, and again I’m shocked when he does. I kick it across the room, toward Zun. Abdul stands there, benumbed, as I cut Valerie free. As I pull the gag from her mouth she screams and points behind me. Brandishing the hard hat like a cestus, Qazwini bears down on us. His skull is a scrambled omelet. Blood covers his face, drips from his thuggish jaw. I fire and miss but the next three shots take him in the belly and the chest. Still he keeps coming, a wrecking crew, a war party, harder to kill than Rasputin. The fifth slug catches him (did some god of rectitude guide my trembling hand?) in the genitals. He falls, finally at the end of his extraordinary capacities. Two pools of blood, one above, one below, mingle, spread.

Abdul dives for his gun. His fingers close over the grip as I shoot him. I don’t know where the rounds hit.

His spittled mouth hangs open. His eyes hold a sad, flat puzzlement. Tonelessly, fumblingly, he murmurs, “Why you do that?” He falls. I stand over him, doubly tainted by this second murder, astonished by what I have done, exalted by the violence I so thoroughly disapproved of. Suddenly I feel sick, faint. Think about it later, I try to tell myself. Abdul looks up at me. He says, “You. My best friend…”

“Let’s go,” I say to Valerie, grabbing her hand.

“Go where?”

“The compound. Get a chopper from Grady and take the hell off.”

“You can’t go out there,” she says sharply. “Don’t you know the whole damned place is radioactive?”

My scalp tingles, my heart loops. Of course, I think. What other explanation could there possibly be for the thunders and the flames, the clouds of smoke that swirled in the sky to the south. The howling dogs, the silent birds. We’re up to our ears in another nuke apocalypse, our very own Three Mile Island.

“How do you know?”

“All I know is, Qazwini came bopping in here with one of his guys on guard duty out there, a couple of hours before you showed up. Then Abdul told me the reactor had gone haywire, that he was leaving the country and he was taking me with him. I said I wasn’t leaving, no way, not without you. Jesus,” Val says, “what’ll we do?”

“We’d better start walking,” I say. “Into the wind, before it changes.”