Back Borrower of the Night Save as PDF
Contents ( 2)
  1. BORROWER of the NIGHT
  2. ELIZABETH PETERS

I turned off the lights and made sure the door was locked. I put on my coat. I had seen Tony’s overcoat slung over a chair, and I left it there. They say righteous indignation is very warming, and I am nobody’s keeper. By the time I got downstairs, I decided I’d better calm Tony. He is the world’s most maniacal driver even when he’s in a good mood, and the combination of icy streets and Tony’s rage could be fatal—to me.

He was in the car, waiting, when I reached the street. That was a relief; I half expected him to drive off and leave me. As I got in I said meekly.

“Okay, Tony, I apologize. Of course I wasn’t going to hold out on you. You startled me, that’s all.”

“Oh, sure,” said Tony. But he was mollified; we started off with only a little skid, turning halfway around. Tony straightened the car out and we proceeded at a moderate fifty.

“I know you’re thinking what I’m thinking,” I went on. “But I also think we’re both going off half-cocked. It’s pretty vague, isn’t it?”

“Oh, sure,” said Tony.

He’s about as sly as Christopher Robin. His tone and his prompt acquiescence told me all I needed to know about where Tony was going to spend the summer.

I took advantage of his silence to make a few plans of my own. The evidence was far from conclusive. Burckhardt had not been specific about details, which was not surprising; I didn’t suppose for a moment that he had penned the letter with his own mailed fist. He was probably semiliterate, like many of his noble contemporaries. No, the letter had been dictated to a secretary or public letter writer, and Burckhardt would naturally avoid names. But the given details fit the case. How many objects of value could there be, belonging to a Count of Drachenstein, that had been “commissioned” from an old man of Würzburg? The letter even mentioned a bond, or surety, given by the old man for jewels such as the legend described.

I winced as Tony narrowly avoided a scuttling pedestrain, and went on thinking. The author of the book had not been concerned with art history or offbeat legends. He had only quoted Burckhardt because, in other parts of the letters, the count had described the fighting. Unless someone knew the legend, he wouldn’t notice the vital details, thanks to Burckhardt’s caution. But I was reasonably certain that the letters did indeed refer to Riemenschneider’s lost masterpiece. Burckhardt mentioned sending “it” home. Even with a strong guard, the trip would be hazardous. It was quite possible that the caravan had been ambushed and the shrine seized and broken up for the sake of the jewels set in its carving. It was also possible…

I hadn’t made any plans for the summer. If Riemenschneider’s shrine still existed, anywhere on the face of the earth, there was one obvious place in which to look for it. And there was nothing to prevent me from looking.