Back Bones Are Forever
Chapters (41)
  1. Acknowledgments
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27
  29. Chapter 28
  30. Chapter 29
  31. Chapter 30
  32. Chapter 31
  33. Chapter 32
  34. Chapter 33
  35. Chapter 34
  36. Chapter 35
  37. Chapter 36
  38. Chapter 37
  39. Chapter 38
  40. Chapter 39
  41. Chapter 40

“To the caribou,” I said.

Together we walked arm in arm, under that flawless blue sky, on that sunny spring day.

FROM THE FORENSIC FILES OF DR. KATHY REICHS

HYPOTHESES, PLOTS, AND VEGETABLE SOUP

I am a scientist. I am a writer. I tease secrets from the dead. I tease stories from my mind. At first glance the two endeavors seem worlds apart. In many ways they are. Yet I approach a forensic case and a work of fiction in a similar fashion.

Whether analyzing bones at the lab or outlining a Temperance Brennan novel or a Bones TV script on my home computer, the process is like preparing vegetable soup. At the outset, I gather observations, ideas, and experiences—every legume for itself—and then they simmer together in my brain.

Eventually, disparate facts and details connect. A nicked phalange. A cranial fracture. A trip by train. An old woman observed on a beach. Out of brothy chaos, a complex potage is born. A story, with plot, setting, and characters.

Typically, I begin to contemplate Tempe’s next adventure as I am wrapping up the current book. At the time I was finishing Flash and Bones and considering what would become Bones Are Forever, I was involved in three real-life child homicide cases. The victims died at various ages, in different cities, in unknown ways. One was a baby, wrapped in a blanket and left to mummify in an attic. One was a toddler, stuffed in a garbage bag and tossed in a wood. One was a preteen, buried on a riverbank below a bridge. All were girls.

One mother went to jail. One mother went free. To date, no suspect has been arrested in the third murder.

The death of innocents. This trio of disturbing cases gave rise to the dual themes of infanticide and the abuse of children (or the childlike) in Bones Are Forever.

I now had the main elements of my plot. Peas, carrots, and mushrooms swirling in the narrative broth. Next, a dip into the kettle for a setting. Where to send our heroine?

In June 2011, I had the great good fortune to be invited to the NorthWords Literary Festival in Yellowknife, NWT, Canada. In my two decades as forensic anthropologist at the Laboratoire de Sciences judiciaires et de médecine légale in Montreal, I’d often heard talk of the Far North. Until I made my own voyage there that spring, I’d sorely underestimated just how far that “far” really was.

While in Yellowknife, I met some of the most hardy and thermally tolerant souls on the planet. Many were aboriginals. Some were writers, poets, or photographers. Warm and welcoming, all. But the highlight of the trip was the place itself.