Back Blackwood Farm
Chapters (58)
  1. COVER PAGE
  2. TITLE PAGE
  3. DEDICATION
  4. EPIGRAPH
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 30
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. ALSO BY ANNE RICE
  58. COPYRIGHT PAGE

“Goblin didn’t even want me to play the harmonica, because he lost me when I did, even though he loved to dance to the radio or to songs that the women in the kitchen sang. He had me laughing at him or dancing with him at those times. But when I played the harmonica, especially with Pops, I was in another world.

“Of course, I learned the knack of playing the harmonica especially for Goblin, nodding and winking at him (I could wink really early in life, with either eye) as he danced, and so he started to put up with it as the years passed.

“Most of the time, Goblin had what he wanted. We had our own table up here for crayons and drawing. And I let him guide me, his right hand on my left hand, but all he’d create was scribble scratch, whereas I wanted to draw stick figures, or figures made of circles, and faces with little circles for eyes. I taught him how to do the stick figures, or the egg people, as Little Ida called them, and how to make pictures of a garden with big round flowers that I liked to do.

“It was at this little nursery table that he first demonstrated his eternally feeble voice. No one could hear it but me and I caught it as so many bursts of fragmented thought brightening for an instant in my head. I talked out loud to him naturally, and sometimes in whispers which developed into murmurs, and I remember Little Ida and Big Ramona asking me all the time what I was saying, and telling me I wasn’t talking right.

“Sometimes, when we were down in the kitchen and I was talking to Goblin, Pops or Sweetheart asked me the same thing, what on earth was I saying, and didn’t I know how to talk better than that, would I please say whole words as I knew well enough how to do.

“I brought Goblin up to snuff on this, that we had to talk in whole words, but his voice was no more than broken telepathic suggestions, and out of sheer frustration he gave up on this means of speaking to me, and his voice only returned years later.

“But to continue with his infant development—he could nod or shake his head at my questions, and smile crazily when I said things or did things that he liked. He was dense when he first appeared to me each day and would become more translucent as his appearances, or lingering, increased. I had a sense of knowing when he was near, even if he was invisible, and during the night I could feel his embrace—a very light and distinct impression which I never tried, until this very moment, to describe to anyone else.