“ ‘My Master wrote scores of plays—satires, comedies, tragedies. He wrote odes to celebrate victorious athletes. He wrote long epic poems. He wrote lyrics for his own pleasure. He was always waking me in the middle of the night to copy or merely to listen. “Wake up, Arion, wake up, you won’t believe what I’ve done here!” he would say, shaking me and shoving a cup of water into my hands. You know that meter and rhythm were much more important to the Greeks back then. He was the past master of it all. He made me laugh with his pure cleverness.

“ ‘He wrote for every festival, every contest, every conceivable excuse, and was ever busy on every detail of the performance down to the procession that might precede it or the painting of the masks to be used. It was his life. That is, when we weren’t traveling.

“ ‘It was his joy to go to other Greek colonies and there participate in the theater as well, and it was here in Italy that he encountered the sorceress who gave him the Power. We were living then in the Etruscan city that would later become Pompeii, and he had been involved in putting on a theatrical in the festival of Dionysus for the Greeks.

“ ‘I can still remember the night he came back to me, and how at first he would have nothing to do with me, and then he brought me into his presence and clumsily he drank from me, and when it seemed that I would die, when I was sure of it, he gave me the Blood in a blundering terrible moment, weeping and desperate and pleading with me to understand that he didn’t know what had happened to him.

“ ‘We were neophytes together. We were Children in the Blood together. He burnt his plays, all of them. He said that all he had written was worthless. He was no more among humankind. To the end of his existence he sought sorcerers and witches to try to find some way to cure the Evil Blood in himself. And he perished before my very eyes, immolating himself when scarcely twenty-five years had passed. He left me a hardened orphan.

“ ‘But I have always been a resourceful soul, and, never wanting death, have not been tempted by it. I saw Greece fall to Rome. I saw my Master’s plays in the bookshops and the marketplaces for a very long time—centuries. I saw my Master’s personal poetry read and studied by young Roman boys, and then I saw the rise of Christianity and the loss of thousands of works—poetry, the drama, yes, even plays of Aeschylus, Sophocles and Euripides lost—history, letters—and with them the loss of my Master’s name, and the salvage of a precious few from those days when I had known so many.