Chapters (36)
- Books by Joanne Fluke
- Title Page
- Dedication
- Acknowledgments
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Chapter Twenty-seven
- Chapter Twenty-eight
- BLACKBERRY PIE MURDER RECIPE INDEX
- Baking Conversion Chart
- A Letter From Joanne Fluke
- Copyright Page
Charlotte and Lyle had moved in last year along with eight other couples who’d passed Charlotte’s muster. Like one of those blue-blooded clubs back in Virginia, its members had to be perfect or they couldn’t buy in. Charlotte loved the view from their eighth floor condo, thirty-five minutes from Vegas on Deer Creek Road. “Mountain living at its finest” was the phrase she’d used two years in a row on their Christmas cards.
“Hi, Mr. Marshall.” The hostess, a leggy blond in a slit skirt that left very little to the imagination, greeted him with a perfect smile. “Everyone in your party is here except for Mr. Davies. He called and said he’ll be delayed a few minutes.”
Lyle grinned as he followed her to the plush private banquet room Johnny Day had reserved for the occasion. Lyle had always liked Johnny. He seemed like a regular guy, and Lyle had recommended him for membership in their Deer Creek Development, even though there were rumors about his womanizing. An Italian lounge singer who’d had a couple of hit records, Johnny’s passion was mechanical musical instruments, and he had a whole warehouse full of antique music boxes of all sizes, along with player pianos and giant orchestrions. The orchestrions were fascinating—built in Europe before the turn of the century, the elaborately carved wooden cabinets contained string instruments, horns, woodwinds, and percussion. Johnny had explained that the orchestrions in his collection operated just like player pianos. The mechanical arms that drew the bows across the strings, the bellows that pumped air into the wind instruments, the levers that activated the drums, and the cymbals were all cued by a roll of pre-punched music. Charlotte, though a loyal supporter of classical symphony, admitted that the sound the orchestrions produced was nothing short of incredible for its day.
It had been touch and go overcoming Charlotte’s aversion to anyone in show business, but now Johnny owned the fourth floor unit. Johnny’s collection had done the trick. When Lyle had first introduced them, Johnny had presented Charlotte with a heart-shaped music box he claimed had belonged to Queen Victoria. It might even have been true.