Contents ( 59)
- Black Dawn
- THE
- MORGANVILLE
- VAMPIRES
- ACKNOWLEDGMENTS
- AUTHOR’S NOTE
- Table of Contents
- INTRODUCTION
- CHAPTER ONE
- CLAIRE
- CHAPTER TWO
- MICHAEL
- CHAPTER THREE
- CLAIRE
- CHAPTER FOUR
- CLAIRE
- CHAPTER FIVE
- EVE
- CHAPTER SIX
- CLAIRE
- CHAPTER SEVEN
- SHANE
- CHAPTER EIGHT
- CLAIRE
- CHAPTER NINE
- SHANE
- CHAPTER TEN
- MICHAEL
- CHAPTER ELEVEN
- CLAIRE
- CHAPTER TWELVE
- EVE
- CHAPTER THIRTEEN
- CLAIRE
- CHAPTER FOURTEEN
- HANNAH
- CHAPTER FIFTEEN
- EVE
- CHAPTER SIXTEEN
- SHANE
- CHAPTER SEVENTEEN
- CLAIRE
- CHAPTER EIGHTEEN
- OLIVER
- CHAPTER NINETEEN
- NAOMI
- CHAPTER TWENTY
- EVE
- CHAPTER TWENTY-ONE
- CLAIRE
- CHAPTER TWENTY-TWO
- OLIVER
- CHAPTER TWENTY-THREE
- CLAIRE
- CHAPTER TWENTY-FOUR
- SHANE
- EPILOGUE
- CLAIRE
- TRACK LIST
It was odd to realize, looking at her, that Naomi wasn’t much older than Claire herself; she must have been frozen at the age of eighteen or nineteen. Of course, at the time she’d been alive, eighteen or nineteen was old enough to rule kingdoms and have multiple children, so Naomi had been considered an adult long before she’d become a vampire. It all felt very new to Claire, still.
Naomi suddenly pointed to the right. The street name sign flashed briefly in the truck’s headlights but Claire didn’t really see it; everything in Morganville looked strange to her, shrouded by the falling rain and the lack of lights, and life. This was a residential street, and it looked completely deserted. Not even a candle flickering in a window, much less anyone in view outside.
Naomi’s hand clenched into a fist, and Claire drifted the truck to the curb and stopped—gently this time, careful of throwing Shane around in the back. He opened the back window again and watched as the vampire pointed straight at one of the houses in the middle of the block. It was just like a hundred other houses in Morganville—plain wooden frame, built probably in the 1940s, small by modern standards. Its pale paint (no telling what color it had originally been, since the sun faded everything to a uniform gray) peeled liberally from the boards, and some of the trim was rotted and falling off. There was a rusted bicycle lying in the weed-tangled yard and a metal swing set that listed so far to the right any child that sat on it would probably be killed in the collapse.
Typical.
The name on the mailbox, written in messy black paint, was SUMMERS, but there was nothing in the box itself when Shane snapped it open. He shrugged and closed it, then unshipped the flexible hose of the flamethrower from behind him.
Claire mouthed, It’s a wooden house! She had to try three times before comprehension dawned on him. He looked disappointed, but he put the flammable fun away and got out his silver-loaded shotgun instead. Claire had hers hanging heavy in the crook of her arm, pointed so that if anything happened it would fire into the ground (and probably her foot, but that was better than the alternatives). Hunters would be so disappointed in me, she thought. She didn’t even really know how to carry the thing safely.
The front door—plain wood, warped from wind and weather—was tightly closed. Naomi studied it for a moment, then kicked, and the entire door and the frame slammed inside to lie flat on the narrow hallway floor.
Even Shane looked respectfully impressed … until she stopped at the threshold. She made a sign shooing them inside, and Claire finally understood that there was still some kind of barrier in place on the house itself. Someone—someone human—was still in residence here, and without an invitation Naomi was barred from entry. The rules of ownership were complicated in Morganville—ancestral houses and bloodlines, current occupants, whether vampires lived inside, all factored in, but clearly this was a human house, with a human barrier that kept vampires out, period.