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Contents ( 14)
  1. Contents
  2. Empty Capital
  3. The Whispering Rain
  4. Furry Boot Town
  5. Dead Crude
  6. The Panic of Dreams
  7. North of Hell
  8. Afterword
  9. Acknowledgements
  10. Introduction to DI John Rebus
  11. For general discussion regarding the Rebus series
  12. BLACK & BLUE
  13. Discussion points for Black & Blue

‘I think so.’

‘Repeat them.’

‘William … something.’

‘Pritchard.’

‘And Maggie Smith.’

‘Close enough. I know you can’t just sneak off, so we’ll leave the time open. Get here when you can. And if you start thinking of bottling it, just remember all those bank accounts and how lonely they’ll be without you.’

Rebus put down the phone. His hand was hardly trembling.

27

They notified the front desk and got visitors’ passes made up, and after that there was nothing to do but wait. Jack said the room felt cold and musty at the same time; he had to get out. He suggested the canteen or a corridor or anywhere, but Rebus shook his head.

‘You go. I think I’ll stay here, see if I can decide what to say to Bonnie and Clyde. Bring me back a coffee and maybe a filled roll.’ Jack nodded. ‘Oh, and a bottle of whisky.’ Jack looked at him. Rebus smiled.

He tried to remember his last drink. He recalled standing in the Ox with two glasses and a packet of cigs. But before that … Wine with Gill?

Jack had said the room was cold; it felt stifling to Rebus. He took off his jacket, loosened his tie and undid the top button of his shirt. Then he wandered around the office, peering into desk drawers and grey cardboard boxes.

He saw: interview transcripts, their covers faded and curling at the edges; hand-written reports; typed reports; evidence summaries; maps, mostly hand-drawn; duty logs; ream after ream of witness statements – descriptions of the man seen in the Barrowland Ballroom. Then there were the photographs, matt black and whites, ten by eight and smaller. The Ballroom itself, interior and exterior. It looked more modern than the word ‘ballroom’ conjured up, reminded Rebus a bit of his old school – flat building panels with the occasional window. Three spots sat atop a concrete canopy, pointing up towards the windows and the sky. And on the canopy itself – a useful shelter from the rain while you were waiting either to be admitted or, afterwards, for your lift – the words ‘Barrowland Ballroom’ and ‘Dancing’. Most of the exterior pictures had been taken on a wet afternoon, women caught on the periphery with plastic rain-mates, men in bunnets and long coats. More photographs: police frogmen searching the river; the loci, CID in their trademark pork-pie hats and raincoats – a back lane, the back court of a tenement, another back court. Typical locations for a cuddle and a feel-up, maybe going a wee bit further. Too far for the victims. There was a photo of Superintendent Joe Beattie, holding out an artist’s impression of Bible John. Looking between the portrait and Beattie, the men’s expressions seemed similar. Several members of the public had commented on it. Mackeith Street and Earl Street – victims two and three were killed on the streets where they lived. He’d taken them so close to their homes: why? So they’d relax their defences? Or had he been vacillating, putting off the attacks? Nervous to ask for a kiss and a cuddle, or just plain scared and with his conscience battling his deep desire? The files were full of such aimless speculation, and more structured theories from professional psychologists and psychiatrists. In the end they’d been as helpful as Croiset the psychic detective.