Back Birds in Fall
Chapters (35)
  1. Cover
  2. Colophon
  3. Also by Brad Kessler
  4. Copyright
  5. Dedication
  6. Epigraph
  7. I
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. II
  19. Eleven
  20. Twelve
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. III
  26. Seventeen
  27. Eighteen
  28. Nineteen
  29. Twenty
  30. Twenty-One
  31. Twenty-Two
  32. Twenty-Three
  33. In April, he perched on a witch hazel. . .
  34. In Gratitude
  35. About the Author

The Japanese maple on our roof was slightly more purple than the lipstick. Its leaves in fall the color “of bruises” Ana once said. She would have looked good wearing that pigment. I held the glistening tube in my hand, not knowing what to write or where. I wanted to write Ana’s name, or both our names, as though we were a piece of luggage that, lost, would find its way back to our loft. So I put our address down, taking care with each number, each letter: 150 First Avenue; and then I showed my arm to the cellist, and she said: Your name. Yet I couldn’t bring myself to write it down.

The smoke seeped in slowly and curled to the ceiling. The smell of burning plastic was distinct now. The video monitors were still working and showed we were twenty miles from Halifax. A man in a silk prayer shawl stood bobbing up and down in the aisle, the white cloth a cowl over his head. The girl with the earphones still lay fast asleep; no one apparently had woken her. Now and again a pilot or a flight attendant raced up the aisle, urging us to keep calm. We all had our life vests on by then—some inflated theirs against instructions, and you could hear the alarming pffffff of them filling with air. The cellist found my hand across the cello case and burrowed her fingers into mine, as if to hide them there. Others were grabbing hands across the aisles. I kept jerking open my jaw to pop the unbearable pressure in my ears; the cellist was doing the same. I imagine, in the end, we all looked like fish.

An eerie whistling filled the fuselage like someone blowing into a soda bottle. The cellist named the notes as we were going down. The pilot was uttering the word “pan, pan, pan.” We could hear it over the intercom. It sounded as if he were shouting for bread.

We dropped between layers of atmosphere. Clouds tore past the wing. The whistling lowered to a gentle warble, the fuselage a flute with one hole left open, an odd arpeggio in the rear of the plane. Someone shouted land! and I pressed my forehead to Plexiglas and saw, between scraps of cloud, lights below, pink clusters like brush fire, four or five of them, the brief flames of villages and towns checkerboarded, scalloped along the coast, yet distant; and some began to cheer, thinking, We will make it; we are so close to land, Halifax couldn’t be far. We were coming over the spine of the world, out of the night, into the welcoming sodium lights of Canada. We hit clouds again and the plane shuddered; the ocean hurled to the left, and the plane rammed hard to the right.