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Contents ( 31)
  1. Table of Contents
  2. Introduction
  3. The Crystal Cup
  4. I. The Dream-Birth
  5. II. The Feast of Beauty
  6. III. The Story of the Moonbeam
  7. The Chain of Destiny
  8. I. A Warning
  9. II. More Links
  10. III. The Third To-morrow
  11. IV Afterwards
  12. The Castle of the King
  13. The Dualitists; or, the Death Doom of the Double Born
  14. Chapter I. Bis Dat Qui Non Cito Dat1
  15. Chapter II. Halcyon Days
  16. Chapter III. Rumours of Wars
  17. Chapter IV The Tucket Sounds
  18. Chapter V The First Crusade
  19. Chapter VI. “Let the Dead Past Bury Its Dead”
  20. Chapter VII. A Cloud with Golden Lining
  21. The Burial of the Rats
  22. The Judge’s House
  23. The Secret of the Growing Gold
  24. The Coming of Abel Behenna
  25. The Squaw
  26. A Dream of Red Hands
  27. Crooken Sands
  28. Dracula’s Guest
  29. A Star Trap
  30. A Gipsy Prophecy
  31. A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST

I thought that I awoke suddenly to that peculiar feeling which we sometimes have on starting from sleep, as if some one had been speaking in the room, and the voice is still echoing through it. All was quite silent, and the fire had gone out. I looked out of the window that lay straight opposite the foot of the bed, and observed a light outside, which gradually grew brighter till the room was almost as light as by day. The window looked like a picture in the framework formed by the cornice over the foot of the bed, and the massive pillars shrouded in curtains which supported it.

With the new accession of light I looked round the room, but nothing was changed. All was as before, except that some of the objects of furniture and ornament were shown in stronger relief than hitherto. Amongst these, those most in relief were the other bed, which was placed across the room, and an old picture that hung on the wall at its foot. As the bed was merely the counterpart of the one in which I lay, my attention became fixed on the picture. I observed it closely and with great interest. It seemed old, and was the portrait of a young girl, whose face, though kindly and merry, bore signs of thought and a capacity for deep feeling—almost for passion. At some moments, as I looked at it, it called up before my mind a vision of Shakespeare’s Beatrice, and once I thought of Beatrice Cenci. But this was probably caused by the association of ideas suggested by the similarity of names.

The light in the room continued to grow even brighter, so I looked again out of the window to seek its source, and saw there a lovely sight. It seemed as if there were grouped without the window three lovely children, who seemed to float in mid-air. The light seemed to spring from a point far behind them, and by their side was something dark and shadowy, which served to set off their radiance.

The children seemed to be smiling in upon something in the room, and, following their glances, I saw that their eyes rested upon the other bed. There, strange to say, the head which I had lately seen in the picture rested upon the pillow. I looked at the wall, but the frame was empty, the picture was gone. Then I looked at the bed again, and saw the young girl asleep, with the expression of her face constantly changing, as though she were dreaming.

As I was observing her, a sudden look of terror spread over her face, and she sat up like a sleep-walker, with her eyes wide open, staring out of the window.

Again turning to the window, my gaze became fixed, for a great and weird change had taken place. The figures were still there, but their features and expressions had become woefully different. Instead of the happy innocent look of childhood was one of malignity. With the change the children had grown old, and now three hags, decrepit and deformed, like typical witches, were before me.