Contents ( 21)
having come apart, I see
the fractures in the crystal structure
of the hall where I hide to drive myself into this
vision inside the particle
where the pillars of matter crump and anyone’s
triangular tusk ruler would shimmy
and waver in oasis shimmers
down to the horizontal. I always
thought it was love which made sex
so violent sweet,
I thought that sex hooked its wagon
to love’s star.
Not Extinct Yet
First was the narrow harlequin fellow
at the pane. Second the glass and cardboard
to try to free it. Third was the fury
of gold legs and fan-blade wings
caught in a web, between chair rungs.
Fourth the wasp flinging itself
inches out into the air, then snapped
back by the gummed leash. Fifth
the eighth-inch, dust-colored spider darting to the
jester and back. Six the gold
stripes of the insect, six its black.
Seven the silk of enjambements cast
around it. Eight her legs walking
on it. Nine the hours of the paper-sculptor’s
agony. And at the tenth hour
of my curious witness, my torment-farming—either
crush it or don’t, Sharon, here at the
eleventh hour of the end of the world.
Hair Ballad
Kneeling - to the Faucet - Nape
Up - Rinsing a Foot or More
Of Hair - at the scalp, Millions -
At the tip - One Hair.
Each Eye Socket Intricate
As a Peregrine’s Profile -
Unscroll the Soak Dollop Up -
And Flip - in Duplicate - one Hank
Left - a Drool Climbs the Tile -
One Right - and at a Distance, Chime
And click of Shatter. After -
Gray Bowl of Half Dome
Like a Bubble on the Floor. Touched, it’s solid -
Brittle - Dust-Shod Tear -
And at a touch - Isosceles
Glass Pierce.
’Twas a Bulb - above the Sink -
Not Smithereened -
But Cut with Butcher’s Grace - Crown -
For the Haggard - Checkered - Kinged -
Chased - Dressed - Check-mated - Matron
Fresh Old Maid -
Smiles into her Eyes, between
The Birth Braid - Left - and the Death Braid.
Rubber Shower Mat Ballad
When the shower mat is coming apart,
the curled flay looks like a rind
of sow, pork-belly—hundred and twenty
nipples, a pig in shit—but pigs
“are actually very clean creatures,
said the young matron,” and porkers wallow
in mud for relief from biting flies.
The rubber mat, teats up,
looks like the raw, titted bacon
of a rubber industrial porcine, the rich
taps of milk remind one
of the women the dictators mutilate,
to milk a husband of information,
to husband what he knows. The Colonels—
the angels hate them. I take up the heavy
lollop, the collop of epidermis—
the fraying is on the long sides.
With kitchen shears, I cut the edges
away, making an hourglass, gray and
malleable with use, another dead goddess of the earth.
Handkerchief Ballad
I have a Vice—Accumulative—
With Cruelty connected to it.
One shape it takes—a Crewelwork Orange