Back Balance of Power
Chapters (53)
  1. BALANCE OF POWER
  2. Acknowledgments
  3. About The Creators
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. FIVE
  9. SIX
  10. SEVEN
  11. EIGHT
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. TWENTY-THREE
  27. TWENTY-FOUR
  28. TWENTY-FIVE
  29. TWENTY-SIX
  30. TWENTY-SEVEN
  31. TWENTY-EIGHT
  32. TWENTY-NINE
  33. THIRTY
  34. THIRTY-ONE
  35. THIRTY-TWO
  36. THIRTY-THREE
  37. THIRTY-FOUR
  38. THIRTY-FIVE
  39. THIRTY-SIX
  40. THIRTY-SEVEN
  41. THIRTY-EIGHT
  42. THIRTY-NINE
  43. FORTY
  44. FORTY-ONE
  45. FORTY-TWO
  46. FORTY-THREE
  47. FORTY-FOUR
  48. FORTY-FIVE
  49. FORTY-SIX
  50. FORTY-SEVEN
  51. FORTY-EIGHT
  52. FORTY-NINE
  53. FIFTY

"You want to know why I can't relax?" Rodgers said. "Because we've become a society that lives for the weekend, for vacations, for running away from responsibility. We're proud of how much liquor we can hold, of how many women we can charm our way into bed with, of how well our sports teams are doing."

"You used to like a lot of those things," August pointed out. "Especially the women."

"Well, maybe I'm tired of it," Rodgers said. "I don't want to live like that any more. I want to do things."

"You always have done things," August said. "And you still found time to enjoy life."

"I guess I didn't realize what a mess the country was becoming," Rodgers said. "You face an enemy like world Communism. You put everything into that fight. Then suddenly you don't have them anymore and you finally take a good look around. You see that everything else has gone to hell while you fought your battle. Values, initiative, compassion, everything. Now I've decided I want to work harder kicking the asses of those who don't take pride in what they do."

"All of which is very heartfelt," August said. "It's also beside the point, Mike. You like classical music, right?"

Rodgers nodded. "So?"

"I forget which writer it was who said that life should be like a Beethoven symphony. The loud parts of the music represent our public deeds. The soft passages suggest our private reflection. I think that most people have found a good and honest balance between the two."

Rodgers looked down at his tea. "I don't believe that. If it were true, we'd be doing better."

"We've survived a couple of world wars and a nuclear cold war," August replied. "For a bunch of territorial carnivores not far removed from the caves, that ain't bad." He took a long, slow sip of tea. "Besides, forget about recreation and weekends. What started this all was you making a joke and me approving of it. Humor ain't weakness, pal, and don't start coming down on yourself for it. It's a deterrent, Mike, a necessary counterbalance. When I was a guest of Ho Chi Minh, I stayed relatively sane by telling myself every bad joke I could remember. Knock-knocks. Good news, bad news. Skeleton jokes. You know: 'A skeleton walks into a bar and orders a gin and tonic… and a mop." his Rodgers didn't laugh.

"Well," August said, "it's amazing how funny that seems when you're strung up by your bleeding goddamn wrists in a mosquito-covered swamp. The point is, it's a bootstrap deal, Mike. You've got to lift yourself out of the muck."

"That's you," Rodgers said. "I get angry. Bitter. I brood."

"I know. And you let it sit in your gut. You've come up with a third kind of symphonic music: loud passages that you keep inside. You can't possibly think that's good."