In fact, it was at times like this, in the wake of missed veins, overdoses, minor heart attacks, and fainting fits, that his vicious addiction to needles, quite apart from drugs, made him want to bend spikes and post syringes down drains. It was only the certainty that these quarrels were always lost and merely committed him to the tedious search for new works, or the humiliation of fishing the old ones out from under the wet Kleenexes, slimy yogurt pots, and limp potato peel of the bin liner, that prevented Patrick from destroying his syringes straight away.

This needle fever had a psychological life of its own. What better way to be at once the fucker and the fucked, the subject and the object, the scientist and the experiment, trying to set the spirit free by enslaving the body? What other form of self-division was more expressive than the androgynous embrace of an injection, one arm locking the needle into the other, enlisting pain into the service of pleasure and forcing pleasure back into the service of pain?

He had injected whisky, watching his burned vein turn black under the skin, just to satisfy the needle fever. He had dissolved cocaine in Perrier because the tap was too far away for his imperious desire. Brain like a bowl of Rice Krispies – snap! crackle! pop! – and a disturbing effervescence in the valves of his heart. He had woken up after passing out for thirty hours, the syringe, still half full of smack, hanging loosely from his arm, and started again, with that cold annihilating will, the ritual that had nearly killed him.

Patrick could not help wondering, after his failure to capture Marianne, if a syringe would not have been a better intermediary than his conversation. It made him sentimental to think of Natasha saying in her hoarse whisper, ‘Baby, you’re so good, you always hit the vein,’ a trickle of dark blood flowing from her pale arm as it dangled over the edge of the chair.

He’d shot her up the first time they’d met. She had sat on the sofa with her knees raised, and proffered her arm trustingly. He sat beside her on the floor, and when he gave her the fix, her knees fell open, gathering light in the heavy folds of her black silk trousers, and he was overwhelmed with tenderness as she fell back and sighed, her eyes closed and her face glowing, ‘Too much . . . pleasure . . . too much.’

What was sex next to this compassionate violence? Only this violence could break open a world constrained by the hidden cameras of conscience and vanity.