They told me that his full name was Richard Douglas Knell, that he was thirty-eight, and that while he’d spent much of his life working in construction, he’d also spent some time “inside” (where he did his reading), having kicked in a man’s head outside a bar six years earlier. There was evidence that he’d acted, in some small way, in self-defense, otherwise the sentence would have been longer. He’d come back to work for Don Greenway, who’d been his employer years ago, and Greenway found a way to exploit Rick’s special talents of persuasion.

“He liked snakes,” I said.

My interrogators concurred. But Quincy, alas, was no longer with us. When they popped the trunk of Rick’s car, they found he’d already squeezed the life out of Mr. Benedetto, and was in the process of digesting him. He’d only gotten to his knees, and when the panicked officers saw what they were dealing with, they unloaded several rounds into the snake, trying not to disgrace the body of Mr. Benedetto in the process, although they did nick his shoes. They’d remarked later, privately, that since Mr. Benedetto was already dead, it would have been interesting had they opened the trunk much later. They wondered just how much of the guy the snake would have managed to get down its throat. It would have been something to see, no doubt about it.

Anyone else on my list of suspects? they asked.

Well, there was Greenway, of course. Stefanie had decided, it appeared, to get out of Dodge, and she was leaving with her homemade supply of cash, plus a ledger for possible future blackmail purposes, and the roll of film. It wasn’t clear whether she had the film because she was tired of being used for such seedy purposes, or simply hadn’t gotten around to turning it in to Greenway for developing. I wondered where he normally had his film processed. Mindy’s would do it for you in an hour, $6.99 for twenty-four exposures, another set of prints for two bucks.

I promised to hand over the negatives, still hidden in my Seaview model, and the ledger.

Earl’s name never came up. As far as the police knew, I’d busted into the Valley Forest Estates office alone. I didn’t have to bring Trixie into it, either. The police were left with the impression that I had something of a handcuff fetish. Later, when we compared notes about what we’d been asked, Sarah said to me, “When did you switch from sci-fi modeling to handcuff collecting?”

When the police finally decided to let me go home, with the proviso that they would be wanting to talk to me again, probably several times, I said to them, almost as an afterthought: