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Chapters (61)
  1. PRAISE FOR BAD MOON RISING
  2. Title Page
  3. PROLOGUE
  4. Part 1: 92°–101°
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. Part 2: 101°–106°
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. Part 3: 106°–95°
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. CHAPTER 17
  24. CHAPTER 18
  25. CHAPTER 19
  26. Part 4: 95°–103°
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. Part 5: 103°–96°
  35. CHAPTER 27
  36. CHAPTER 28
  37. CHAPTER 29
  38. CHAPTER 30
  39. CHAPTER 31
  40. CHAPTER 32
  41. Part 6: 94°–101°
  42. CHAPTER 33
  43. CHAPTER 34
  44. CHAPTER 35
  45. CHAPTER 36
  46. CHAPTER 37
  47. CHAPTER 38
  48. CHAPTER 39
  49. CHAPTER 40
  50. CHAPTER 41
  51. CHAPTER 42
  52. CHAPTER 43
  53. CHAPTER 44
  54. CHAPTER 45
  55. CHAPTER 46
  56. CHAPTER 47
  57. EPILOGUE
  58. More from this Series
  59. More from the Author
  60. ABOUT THE AUTHOR
  61. ALSO BY JOHN GALLIGAN

She hesitated. Taylor’s cheeks gleamed. Golly raised the hammer. “I mean that.”

She gave the order and Golly retreated, towing Taylor into the shadows of the office. Then she heard him exclaim happily, “Aha!” She didn’t know what he had found until Grape Fanta’s antique rock music began to swirl out and set an eerily festive mood.

The sun burned down for the ten longest minutes of her life. The TV vans arrived and set up. A dozen or so Bad Axers held up smartphones, recording. She prayed that she was right. There was no need to hurt her child. A chilling reverence had set in. Then it began.

First, Golly emerged from the shadows of the office behind Taylor dangling from his fist, the hammer re-cocked as a weapon over her little boy’s precious skull. Next step, at the end of Golly’s grip, it was Taylor who picked up the waiting gas can. Now Taylor and the can dangled as Golly awkwardly backed up and then went sideways into the frame of the broken window. From there, he reached back and spun Fanta’s old wheeled wooden desk chair until he had positioned it behind himself. He toppled back into it, keeping Taylor in front. He said something to Taylor. Taylor screwed the nozzle off the gas can.

His intent appeared: he wanted Taylor to douse him. But it was difficult. Hefting the heavy can, Taylor missed broadly twice, splashing himself and the floor. Then Golly found the answer was to push Taylor to arm’s length, bend forward in the chair as far as his bloated body would allow, and have Taylor empty the can over his neck and head like man getting a bath in a bucket. Taylor splashed more gas on himself in the process.

Then Golly pulled Taylor onto his lap and showed the cameras that he had a lighter.

Sheriff Kick expected him to give a speech now. France. Monk. Vietnam. Look at me. Look at us. Noon is our new midnight. The urgency of our war against ourselves, to save the planet.

Instead he seemed to lose himself in emotion. His head dropped, his gasoline-soaked robe slipped, and for one long minute his warty shoulders shook with what appeared to be grief. He recovered, and as he began to speak, her heart felt as if it would be crushed between her sudden fear that she had been wrong, and her desperate hope that she had guessed right.

“You may pretend to be astonished, to wonder why,” Jim Golly began. “But you have the facts. I’ve shared them many times with all of you. Not that you didn’t already have them. Not that you don’t live them. You are the facts. You know why.”