Now, why was this making me feel so cross? Ah, well, because I wanted Leonard Grice to be guilty of something. Murder, conspiracy to murder, accessory to murder. I was fond of the idea for tidiness' sake – for statistical purposes, if nothing else. California has over three thousand homicide victims annually, and of those, fully two-thirds are slain by friends, acquaintances, or relatives, which makes you wonder if you might be better off as a friendless orphan in this state. The point is, when a murder goes down, the chances are good that someone near and dear has had a hand in it.

I thought about that, reluctant to give it up. Could Grice have hired someone to kill his wife? It was always possible, of course, but it was hard to see what he might have gained. The police, not being ignorant buffoons, had pursued the line as well, but had come up with nothing. No moneys unaccounted for, no meetings with unsavory characters, no apparent motive, no visible benefit.

Which brought me back to Elaine Boldt. Could she have been involved in Marty Grice's death? Most of what I'd learned about her cried out a big resounding "no." There really wasn't a hint that she'd been attached to Leonard romantically or any other way, except as an occasional bridge partner. I didn't think Marty Grice had been killed for messing up a small slam, but with bridge partners one can never tell. Wim Hoover had mentioned that Elaine and Beverly had quarreled about a man at Christmastime, but it was hard to picture the two of them in an arm wrestle over Leonard Grice. I kept coming back to the same suspicion – that Elaine knew something or had seen something related to Marty's murder and had left town to avoid the scrutiny of the Santa Teresa police.

I turned my attention to the photographs, neatly disconnecting my brain. I needed to know how things had looked and I couldn't afford to react emotionally. Violent death is repellent. My first impulse, always, is to turn abruptly away, to shield my soul from the sight, but this was the only tangible record of that event and I had to see for myself. I turned a cold eye to the first black-and-white photograph. The color pictures would be worse and I thought I'd start with the "easy" ones.

Jonah cleared his throat. I looked up.

"I'm going to have to turn in," he said. "I'm beat."

"You are?" I glanced at my watch, startled. It was 10:45. I'd been sitting there for more than two hours without moving. "I'm sorry," I said. "I had no idea I'd been here that long."

"That's okay. I got up at five this morning to work out and I need some shut-eye. You can take that stuff if you like. Of course, if Dolan ever catches you with it, I'll deny everything and throw you to the wolves, but aside from that, I hope it helps."